{"id":1931,"date":"2026-08-20T13:58:10","date_gmt":"2026-08-20T11:58:10","guid":{"rendered":"https:\/\/videosoundart.com\/festival\/xvi-edition-2026\/"},"modified":"2026-10-26T23:18:19","modified_gmt":"2026-10-26T22:18:19","slug":"xvi-edition-2026","status":"publish","type":"vsa_edition","link":"https:\/\/videosoundart.com\/en\/festival\/xvi-edition-2026\/","title":{"rendered":"XVI Edition 2026 \u2014 Preferiremmo andare fuori strada (We would rather go off-road)"},"content":{"rendered":"\t<div class=\"vsa-edhead alignwide wp-block-vsa-edition-header\">\n\t\t<p class=\"u-eyebrow vsa-edhead__status\">Ongoing<\/p>\n\t\t<div class=\"vsa-edhead__top\">\n\t\t\t<span class=\"vsa-edhead__roman\" aria-hidden=\"true\">XVI<\/span>\n\t\t\t<div>\n\t\t\t\t<h1 class=\"vsa-edhead__title\">XVI Edition 2026 \u2014 Preferiremmo andare fuori strada (We would rather go off-road)<\/h1>\n\t\t\t\t<p class=\"vsa-edhead__dates\">\n\t\t\t\t\t19\u201322 November 2026 \u2014 Milano\t\t\t\t<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<dl class=\"vsa-edhead__facts\">\n\t\t\t<div>\n\t\t\t\t<dt class=\"u-eyebrow\">Edition<\/dt>\n\t\t\t\t\t\t\t\t\t<dd>XVI \u2014 2026<\/dd>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div>\n\t\t\t\t\t<dt class=\"u-eyebrow\">Venues<\/dt>\n\t\t\t\t\t<dd>Fondazione Galleria Milano \u00b7 Cartoleria e Tipografia Bonvini 1909 \u00b7 Piscina Mincio<\/dd>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\t<dt class=\"u-eyebrow\">Curated by<\/dt>\n\t\t\t\t\t<dd>Thomas Ba, Rita Duina, Edizioni Brigantino, Laura Lamonea, Lino Palena, Tommaso Santagostino<\/dd>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/dl>\n\t<\/div>\n\t\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-79fb870f wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-style-vsa-curatorial is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\" style=\"margin-right:var(--wp--preset--spacing--0);margin-left:var(--wp--preset--spacing--0)\">The Video Sound Art Festival presents its 16th edition, entitled<em>Preferiremmo andare fuori strada (We Would Rather Go Off Road)<\/em> taking place from 19 to 22 November 2026 at Fondazione Galleria Milano, Cartoleria e Tipografia Bonvini 1909 and the Mincio swimming pool in the Lodi-Corvetto district of Milan.<br\/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Four days of installations, performances, a public program, and a movie theater in the Lodi-Corvetto neighborhood.<br\/><\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">The concept<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-1\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Opening a space does not always mean making it accessible, just as closing it does not necessarily imply exclusion. Urban interventions are reminiscent of remakes of great films: they celebrate utopian potential while revealing its contradictions. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Preferiremmo andare fuori strada (We Would Rather Go Off Road) is the title of the festival\u2019s sixteenth edition, which, after two years, returns to Milan\u2019s Lodi Corvetto neighbourhood in the post-Olympic period.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The previous edition approached the home as a critical device through which to reflect on the dynamics of belonging and exclusion. Preferiremmo andare fuori strada (We Would Rather Go Off Road) acknowledges the increasingly precarious and often displaced experience of bodies within urban space, as an effect of the economic, political and cultural processes that determine access to it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Through artistic practices and opportunities for encounter, the festival seeks to temporarily suspend the conventional functions assigned to certain places in the neighbourhood. It explores the potential for unexpected encounters and new geographies that the urban condition can activate when artistic, pedagogical and convivial perspectives, practices and poetics converge. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over the past fifteen years, Video Sound Art has developed educational and exhibition programmes in numerous spaces across the city, each inhabited by its own community. The creation of each edition has always been preceded by the establishment of a relationship between artists, cultural workers and those who experience these places in their everyday lives: a process that is often critical and at times demanding, but one that can test the validity of projects and also call them into question. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To make the many different ways of inhabiting the city visible, with this sixteenth edition of the festival the collective intends to go off road, moving away from the idea that there is only one correct way to participate. We would like, at least temporarily, to relinquish the ambition of bringing discussions to a close, of placing a full stop at the end of every sentence <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For its 16th edition, the Video Sound Art Festival is embracing a collective curatorial approach. A group of artists, researchers and curators have been invited to share processes, responsibilities and visions. Curation as a shared space, as an exercise in mutual listening.  <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ae05574ca29f&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ae05574ca29f\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-1024x576.jpg\" alt=\"\" class=\"wp-image-3608\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-1024x576.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-300x169.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-768x432.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-1536x864.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/VSA_2026_orizzontale_defbassa-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Visual identity: Michele Galluzzo<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Venues and projects<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The 16th edition features installations, performances, and artistic projects by<strong> Cem A., Ode de Kort, Michele Di Stefano, Edizioni Brigantino and Lucia Pescador, <\/strong>as well as a screening program featuring video works by <strong>Ila B\u00eaka e <strong>Louise Lemoine<\/strong>, Meriem Bennani, Jordi Colomer, Thomas Hirschhorn, Marta Innocenti, Florence Lazar, Ugo La Pietra, Randa Maroufi, Uriel Orlow, Nicola Pellegrini e Ottonella Mocellin, Caterina Erica Shanta.<\/strong><br\/><br\/>Explore the projects by location:<strong> <\/strong><br\/><\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-2&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right has-paper-alt-background-color has-background has-md-font-size\" style=\"border-style:none;border-width:0px\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-2-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-2\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Cartoleria e Tipografia Bonvini 1909<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-2\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-2-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Edizioni Brigantino<\/strong> and <strong>Lucia Pescador<\/strong><br\/><em>La cucina di Olivia<\/em><br\/>Installazione complessa<br\/><br\/>Edizioni Brigantino and Lucia Pescador present La cucina di Olivia. The project stems from a desire to create a space where Lucia Pescador\u2019s works can interact with a new exhibition layout, one capable of welcoming the public into an intimate, domestic setting. The installation, set up next to the historic Bonvini 1909 premises, in the spaces of the former bar \u2013 which still lack a definitive purpose \u2013 unfolds across small, doorless rooms, designed by Edizioni Brigantino as places for passing through, resting and socialising. The structures engage in a dialogue with Pescador\u2019s works. The title La cucina di Olivia echoes that of one of the artist\u2019s works and suggests a domestic space understood not so much as a defined environment, but rather as a place of memory and relationships. <br\/>The project revisits and reinterprets an exhibition by Pescador held in 2014, which lasted four days and was conceived as an opportunity for people to come together and participate, prior to the restoration work carried out on the stationery shop. The new installation is intended as a revival of that experience. One of the venues features a screen showing <em>A mano libera<\/em> (2023), a documentary by Judith Du Pasquier dedicated to Lucia Pescador, which complements the project by offering an insight into the artist\u2019s practice.<br\/><br\/>    <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-79fb870f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ae05574cb8d2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ae05574cb8d2\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" width=\"683\" height=\"1024\" fetchpriority=\"low\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-683x1024.jpg\" alt=\"\" class=\"wp-image-4591\" style=\"aspect-ratio:3\/4;object-fit:cover\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-768x1151.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-1366x2048.jpg 1366w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/CRLL-198-A-fior-di-velluto-@-Cassina-Project-ph.-Roberto-Marossi-scaled.jpg 1708w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Edizioni Brigantino, CRLL #198 (A fior di velluto), 2026, Cassina Project. Ph. Roberto Marossi <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ae05574cc809&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ae05574cc809\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" width=\"729\" height=\"1024\" fetchpriority=\"low\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited-729x1024.jpg\" alt=\"\" class=\"wp-image-4508\" style=\"aspect-ratio:3\/4;object-fit:cover\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited-729x1024.jpg 729w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited-213x300.jpg 213w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited-768x1079.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited-1093x1536.jpg 1093w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/2003_pinocchio_-edited.jpg 1127w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Lucia Pescador, 3 metri di Pinocchio, 2003<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-3&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right has-paper-alt-background-color has-background has-md-font-size\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-3-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-3\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Fondazione Galleria Milano<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-3\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-3-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"714\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-1024x714.png\" alt=\"\" class=\"wp-image-4689 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-1024x714.png 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-300x209.png 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-768x535.png 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-1536x1071.png 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo.png 1825w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Valentina Berardinone,<br\/><\/strong><em>Eventi<\/em><br\/>Super8, b\/w, 5&#8242;<br\/>Courtesy: Archivio Valentina Berardinone, Milano e Fondazione Home Movies, Bologna<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">In the artist\u2019s early film works, the staircase is used as a \u201cdevice of power\u201d and as a metaphor for an inexorable sociopolitical system that leaves no escape. Within this experimental body of work, which has been rediscovered and highlighted in part thanks to the \u201cArt &amp; Experimental Film\u201d project of the Home Movies Foundation, <em>Eventi <\/em>represents the culmination and the most explicitly political chapter of the cycle. Returning to the idea of the infinitely looped event that was already at the heart of the artist\u2019s first film, Silent Invasion, in Eventi she replaces the anonymous staircases of his previous work with the grand staircase of the Milan Palace of Justice. Along its steps, Berardinone makes a black sphere bounce, evoking a ball and chain, shifting the focus from the indeterminate space of his earlier works to the public and monumental setting of the judicial institution. Amid the political fervor of 1970s Italy, the work explicitly reveals the nature of the staircase as both a stage and a hierarchy of state power, institutional and social, which deprives bodies of effective freedom of movement.<br\/><br\/>    <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"683\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-1024x683.jpg\" alt=\"\" class=\"wp-image-4509 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-1536x1025.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-2048x1366.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-1200x800.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Cem A.<\/strong><br\/><em>Spoken Panorama<\/em><br\/>Performance and installation<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Spoken Panorama<\/em> is a discourse mapping project between performance and installation. Throughout the festival, Cem will record the talks of the public program and produce a semantic map of each discussion. Using software he developed, each discussion is broken into short statements and mapped in a 1024-dimensional semantic space. Reading the statements across these dimensions, the program draws connections between meanings rather than just words, revealing patterns in the conversation that are otherwise hard to locate. The maps will be printed as a series of posters and exhibited at Fondazione Galleria Milano as the festival unfolds.     <br\/>On the last day, Cem A., together with anthropologists Rita Duina and Tommaso Santagostino, will reflect on the maps and the discourse produced during the festival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-4&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right has-paper-alt-background-color has-background has-md-font-size\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-4-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-4\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Fondazione Galleria Milano &#8211; Cinema Hall<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-4\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-4-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">During the festival, the Fondazione Milano exhibition hall is transformed into a movie theater hosting a screening program and a public program.<br\/><br\/><strong>CNAP &#8211; Centre national des arts plastiques<\/strong><br\/>Among the films in the program is a selection of works from the collection of the Centre national des arts plastiques (Cnap) in Paris\u2014a French ministerial collection established during the French Revolution\u2014based on research conducted by curator Laura Lamonea in 2023.<br\/><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ila-Beka-Louise-Lemoine-Koolhaas-Houselife-2007-2008-still-video.jpg\" alt=\"\" class=\"wp-image-4574 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ila B\u00eaka, Louise Lemoine<\/strong><br\/><em>Koolhaas Houselife<\/em><br\/>2007 -2008 <br\/>Video HD, color, sound, 58\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The first project in the Living Architectures series, Koolhaas Houselife portrays one of the masterpieces of contemporary architecture. The video work chronicles a visit to the Maison de Bordeaux, also known as \u2018Villa Lemoine\u2019, designed in 1998 in Bouliac by the Dutch architect Rem Koolhaas for Jean-Fran\u00e7ois Lemoine. The film allows the viewer to gain an intimate insight into the daily life of the house through the stories and everyday tasks of Guadalupe Acedo, the housekeeper, and the other people who look after the building.  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-1024x576.jpg\" alt=\"\" class=\"wp-image-4579 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-1024x576.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-300x169.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-768x432.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-1536x864.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Meriem Bennani<\/strong><br\/><em>Party on the CAPS<\/em><br\/>2018<br\/>Video HD, color, sound, 25&#8217;08&#8221;<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Party on the CAPS<\/em> takes place in a world transformed by biotechnological progress and teleportation, which has become the new means of transportation. A crocodile named Fiona recounts life on CAPS, an island located in the middle of the Atlantic Ocean, where refugees and immigrants who have crossed seas and borders in a manner deemed \u201cillegal\u201d are detained by the state.<br\/> <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"945\" height=\"629\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Jordi-Colomer-Medina-Parkour-2013-still-video.gif\" alt=\"\" class=\"wp-image-4577 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Jordi Colomer<\/strong><br\/><em>Medina &#8211; Parkour<\/em><br\/>2013<br\/>Video HD, color, silent, 3\u201905\u2019\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The work was created during the artist\u2019s residency in Tetouan (Morocco), the former capital of the Spanish protectorate. The artist stages himself on the rooftops of the medina of T\u00e9touan. The temporary nature of the medina, inherent in its urban layout, also influences the multiplicity of forms and narratives that structure it. Colomer offers a reflection on the limits and uses of a space governed by unwritten laws.   <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"655\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01-1024x655.png\" alt=\"\" class=\"wp-image-4575 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01-1024x655.png 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01-300x192.png 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01-767x491.png 767w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01.png 1183w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Thomas Hirschhorn<\/strong><br\/><em>Deleuze Monument<\/em><br\/>2000<br\/>Video Betacam SP, 30\u201922\u201d<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Deleuze Monument<\/em> documents the project created by Thomas Hirschhorn in the Cit\u00e9 Champfleury neighborhood of Avignon, dedicated to the philosophy of Gilles Deleuze. Through the construction of a temporary monument and the direct involvement of residents, the video reflects on public space and community participation. The monument becomes a relational device, capable of fostering dialogue, sharing, and the collective production of meaning.  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"540\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist-1024x540.jpg\" alt=\"\" class=\"wp-image-4576 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist-1024x540.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist-300x158.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist-766x404.jpg 766w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Florence Lazar<\/strong><br\/><em>125 hectares<\/em><br\/>2019<br\/>Video HD, color, sound, 33&#8217;25&#8221;<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">125 hectares is the area of land that has been illegally occupied since 1983 by a farmers\u2019 collective in Morne-Rouge, in northern Martinique. V\u00e9ronique Montjean, a founding member of the collective, recounts the history of the occupation, which began as a response to real estate development projects that would have reduced the island\u2019s arable land. The collective promotes subsistence farming based on biodiversity through the rotation of local crops, opposing the banana monoculture imposed by France, which has led to the pollution of soil and rivers due to the use of carcinogenic insecticides.<br\/>  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"452\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015-1024x452.jpg\" alt=\"\" class=\"wp-image-4578 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015-1024x452.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015-300x132.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015-766x338.jpg 766w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015.jpg 1360w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Randa Maroufi<\/strong><br\/><em>Le Park<\/em><br\/>2015<br\/>Video HD, color, sound, 14\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Le Park<\/em> is a slow stroll through an abandoned amusement park in the heart of Casablanca (Morocco). The film focuses on the young people who frequent this place. Randa Maroufi\u2019s camera captures, by surprise, groups of young people engaged in various activities, their movements seeming frozen in time.  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"674\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema-1024x674.jpg\" alt=\"\" class=\"wp-image-4573 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema-1024x674.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema-300x198.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema-767x505.jpg 767w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema.jpg 1060w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Uriel Orlow<\/strong><br\/><em>Imbizo Ka Mafavuke (Le Tribunal de Mafavuke)<\/em><br\/>2017<br\/>Video HD, color, sound, 29\u201952\u201d<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The film is an experimental documentary set on the outskirts of a nature reserve in Johannesburg. It depicts the preparations for a people\u2019s tribunal in which traditional healers, activists and lawyers come together to discuss indigenous knowledge and bioprospecting. The pharmaceutical industry has come to regard traditional medicine as a source for identifying new bioactive compounds that can be used in the development of synthetic drugs. The film\u2019s protagonists take on different roles, whilst the ghosts of colonial explorers, botanists and judges observe the debates.   <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio-1024x576.jpeg\" alt=\"\" class=\"wp-image-4748 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio-1024x576.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio-300x169.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio-768x432.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Marta Innocenti<\/strong><br\/><em>L&#8217;Assedio<\/em><br\/>2021<br\/>52\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;Assedio explores the wild, collective, and transgressive ritual that draws over 200,000 spectators each year to the fields surrounding the Mugello Circuit during the Italian MotoGP Grand Prix. The film examines the tension between the freedom of breaking the rules and the limits imposed by the high barriers that surround the circuit. <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"480\" height=\"290\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/monumentalismo.png\" alt=\"\" class=\"wp-image-4583 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/monumentalismo.png 480w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/monumentalismo-300x181.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><br\/><em>Il monumentalismo<\/em><br\/>1974<br\/>Film 16 mm, b\/w, sound, 13\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The documentary, filmed at Milan Central Station, uses this building as an example to demonstrate that in the contemporary urban environment, there is almost never a relationship between space and its use, highlighting the \u201cdisconnect\u201d between architecture and vital human dynamics.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"759\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-1024x759.png\" alt=\"\" class=\"wp-image-4582 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-1024x759.png 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-300x222.png 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-767x569.png 767w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-1536x1139.png 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-2048x1519.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><br\/><em>Interventi pubblici per la citt\u00e0 di Milano (Paletti e catene)<\/em><br\/>1979<br\/>Ed. Triennale di Milano, film 16 mm, color, sound, 4:3, 6\u201929\u2019&#8217; <\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em><br\/><\/em>The video work is a metaphorical critique of Milan\u2019s urban planning stagnation in the late 1970s. La Pietra features street objects and elements\u2014bollards, posts, and chains\u2014as symbols of a city that fails to break out of its own limitations and does not produce significant urban projects.  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"550\" height=\"416\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-La-riappropriazione-della-citta-Ed.-Centre-Georges-Pompidou-Parigi-1977-still-video.jpg\" alt=\"\" class=\"wp-image-4580 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-La-riappropriazione-della-citta-Ed.-Centre-Georges-Pompidou-Parigi-1977-still-video.jpg 550w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-La-riappropriazione-della-citta-Ed.-Centre-Georges-Pompidou-Parigi-1977-still-video-300x227.jpg 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><em><br\/>La riappropriazione della citt\u00e0<\/em><br\/>1977<br\/>Ed. Centre Georges Pompidou (Parigi), film 16 mm, b\/w, sound, 4:3, 29\u201941\u2019&#8217; <\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTo live is to feel at home wherever you are\u201d is the phrase with which La Pietra begins the work. Through an anthological and provocative analysis, the artist decodes the suburbs and self-managed spaces (such as urban gardens), denouncing the city\u2019s transformation into an \u201copen-air restaurant\u201d where commerce and tourism take away space from free collective life.  <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"475\" height=\"298\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/grande-occasione.png\" alt=\"\" class=\"wp-image-4584 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/grande-occasione.png 475w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/grande-occasione-300x188.png 300w\" sizes=\"(max-width: 475px) 100vw, 475px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><br\/><em>La grande occasione<\/em><br\/>1973<br\/>Ed. Triennale di Milano\/Abet Print, film 35 mm, b\/w, sound, 4:3, 13\u201942\u2019\u2019 <\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Produced for the 15th Milan Triennale, the film was shot inside the Triennale building, which\u2014when empty\u2014conveys the tension and anticipation felt by an artist facing his \u201cbig break,\u201d finally called upon to express himself through a major exhibition in an institutional setting.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"477\" height=\"283\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/identita.png\" alt=\"\" class=\"wp-image-4585 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/identita.png 477w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/identita-300x178.png 300w\" sizes=\"(max-width: 477px) 100vw, 477px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><br\/><em>La ricerca della mia identit\u00e0<\/em><br\/>1974<br\/>Film 16 mm, b\/w, sound, 8\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The film was created using a sequence of images of La Pietra\u2019s face from 1938 to 1974, continuously juxtaposed with the image from that moment (1974). Through this sequence, one gets the impression that for thirty-six years, La Pietra had been frantically and slowly attempting to achieve a \u201cfinal model\u201d (his face in 1974).<br\/> <\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"550\" height=\"416\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-Per-oggi-basta-il-Commutatore-1970-still-video.jpg\" alt=\"\" class=\"wp-image-4581 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-Per-oggi-basta-il-Commutatore-1970-still-video.jpg 550w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-Per-oggi-basta-il-Commutatore-1970-still-video-300x227.jpg 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ugo La Pietra<\/strong><br\/><em>Per oggi basta! (il Commutatore)<\/em><br\/>1974<br\/>Film 16 mm, b\/w, sound, 14\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The film explores the difficulties the artist encounters whenever he ventures beyond an established system. This concept is represented through the creation and use of an instrument (Il Commutatore, 1970) that allows him, in successive stages, to transcend the physicality of the urban environment and project himself toward the \u201cvoid.\u201d<br\/> <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"643\" height=\"361\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/Alphabet.png\" alt=\"\" class=\"wp-image-4731 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/Alphabet.png 643w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/Alphabet-300x168.png 300w\" sizes=\"(max-width: 643px) 100vw, 643px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ottonella Mocellin e Nicola Pellegrini<\/strong><br\/><em>Alphabet. The space between us and the unkown<\/em><br\/>2021<br\/>29\u201903\u2019\u2019<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The film stems from a reflection on the legacy of the Cold War on Asian diaspora communities in the West, while also exploring the artists\u2019 personal relationship with Berlin\u2019s Vietnamese community\u2014composed of two groups of people who arrived from a divided country to a divided country, and thus particularly symbolic of this legacy. By portraying their experience as Italian adoptive parents of a daughter and a son born in Vietnam, the artists explore the intersection of belonging, kinship, history, memory, and identity politics. The film documents a performance in an urban setting: traveling on a small boat, the artists and their family spend an intimate day in a public space, navigating Berlin\u2019s city traffic in search of an imaginary place where the lives of those who have been divided by history might ideally come together.<br\/>   <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-5&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading has-icon has-icon-right has-paper-alt-background-color has-background has-md-font-size\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-5-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" id=\"accordion-item-5\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Mincio Swimming Pool<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div aria-labelledby=\"accordion-item-5\" data-wp-bind--hidden=\"state.isHidden\" data-wp-on--beforematch=\"actions.handleBeforeMatch\" id=\"accordion-item-5-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03-1024x576.jpeg\" alt=\"\" class=\"wp-image-4503 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03-1024x576.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03-300x169.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03-768x432.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Ode de Kort<\/strong><br\/><em>Tra le Righe, (nasce)<\/em><br\/>Site-specific video installation<br\/>Courtesy of the artist<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tra le Righe, (nasce)<\/em> is a site-specific video installation comprising four screens arranged in sequence, side by side, positioned at the centre of two brackets. The video presents three different contexts, linked by black rubber boots \u2013 a material the artist has been working with for several years. In the darkness, everything seems to float. Through a play of reflections, the boots emerge on the screen or are worn by swimming figures, alternating with close-ups of a rubber surface that seems to harbour or generate a new form of life. The work stems from the experience of the swimming pool, traditionally marked by lanes \u2013 lines that evoke both writing and legibility as well as the movement and direction of the bodies passing through them. The artist constructs an intermediate space in which the images evoke origin, care, growth and that which is not yet present, creating a tension between what takes shape between the lines \u2013 the imagined and the possible \u2013 and the physical body.     <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"640\" height=\"427\" fetchpriority=\"low\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/17di-stefano-altro-hotel-phot-Lorenza-daverio-Triennale-Milano.jpeg\" alt=\"\" class=\"wp-image-4510 size-full\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/17di-stefano-altro-hotel-phot-Lorenza-daverio-Triennale-Milano.jpeg 640w, https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/17di-stefano-altro-hotel-phot-Lorenza-daverio-Triennale-Milano-300x200.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"is-style-default wp-block-paragraph\"><strong>Michele Di Stefano<\/strong><br\/><em>Surplace Radio<\/em><br\/>Performance<br\/>Ph. Lorenza Daverio<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Surplace Radio is a performance that takes the form of a radio programme: from a temporary studio, Michele Di Stefano takes on the role of presenter and presents a programme of new releases and ethnomusical imagery, based on his album <em>L\u2019altro Hotel<\/em>. The work draws on a vast collection of voice memos recorded by the artist whilst travelling around the world.  <s> <\/s>Localised sounds, environmental fragments and moments of personal experience are reworked into pieces of \u2018situated\u2019 music.<s><br\/><\/s>In keeping with the conventions of music journalism, Di Stefano introduces unlikely artists and tracks; he recounts their origins, recording techniques and anecdotes through reconstructions that are as plausible as they are fictional. Imaginary theories such as \u2018placed music\u2019 and the \u2018accanto theory\u2019 evoke forms of non-selective listening, in which sound occurs alongside the listener, without necessarily capturing their attention. What emerges is a soundscape in which distant places, landscapes and everyday situations overlap, whilst reality and fiction become indistinguishable.  <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t<div class=\"vsa-works alignwide wp-block-vsa-work-grid\" data-wp-interactive=\"vsa\/work-grid\" data-wp-context='{&quot;selected&quot;:&quot;tutte&quot;}'>\n\t\t<h2 class=\"vsa-secttitle vsa-works__title\">The works<\/h2>\t\t\t\t<ul class=\"vsa-cards vsa-cards--caption\" style=\"--min:18rem\"><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/125-hectares\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Florence-Lazar-125-hectares-2019-still-video.-Courtesy-the-artist-766x404.jpg\" alt=\"Florence Lazar, 125 hectares, 2019 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Florence Lazar<\/p><h3 class=\"vsa-card__title\">125 hectares<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, sound, 33&#039;25&#039;&#039;<\/p><p class=\"vsa-card__note u-meta\">2019 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/alphabet-the-space-between-us-and-the-unkown\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/Alphabet.png\" alt=\"Ottonella Mocellin e Nicola Pellegrini, Alphabet. The space between us and the unkown, 2021 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO \" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ottonella Mocellin e Nicola Pellegrini<\/p><h3 class=\"vsa-card__title\">Alphabet. The space between us and the unkown<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO , 29&#039;03&#039;&#039;<\/p><p class=\"vsa-card__note u-meta\">2021 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/deleuze-monument\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/robinson_indyia_01-767x491.png\" alt=\"Thomas Hirschhorn, Deleuze Monument, 2000 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video Betacam SP\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Thomas Hirschhorn<\/p><h3 class=\"vsa-card__title\">Deleuze Monument<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video Betacam SP, 30&#039;22&#039;&#039;<\/p><p class=\"vsa-card__note u-meta\">2000 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/eventi\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/VB_Eventi_LQ_logo-768x535.png\" alt=\"Valentina Berardinone, Eventi, 1973 \u2014 FONDAZIONE GALLERIA MILANO - Super8, b\/n\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Valentina Berardinone<\/p><h3 class=\"vsa-card__title\">Eventi<\/h3><p class=\"vsa-card__note u-meta\">FONDAZIONE GALLERIA MILANO &#8211; Super8, b\/n, 5&#039;<\/p><p class=\"vsa-card__note u-meta\">1973 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/il-monumentalismo\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/monumentalismo.png\" alt=\"Ugo La Pietra, Il monumentalismo, 1974 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Film 16 mm, b\/n, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">Il monumentalismo<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Film 16 mm, b\/n, sound, 13\u2019<\/p><p class=\"vsa-card__note u-meta\">1974 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/imbizo-ka-mafavuke-mafavukes-tribunal\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Uriel-Orlow-Imbizo-Ka-Mafavuke-2017-HD-video-sound-Ph.-Austin-Malema-767x505.jpg\" alt=\"Uriel Orlow, Imbizo Ka Mafavuke (Mafavuke&#8217;s Tribunal), 2017 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Uriel Orlow<\/p><h3 class=\"vsa-card__title\">Imbizo Ka Mafavuke (Mafavuke&#8217;s Tribunal)<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, sound, 29\u201952\u201d<\/p><p class=\"vsa-card__note u-meta\">2017 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/interventi-pubblici-per-la-citta-di-milano-paletti-e-catene\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-09-14-alle-14.53.03-767x569.png\" alt=\"Ugo La Pietra, Interventi pubblici per la citt\u00e0 di Milano (Paletti e catene), 1979 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - film 16 mm, color, sound, 4:3\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">Interventi pubblici per la citt\u00e0 di Milano (Paletti e catene)<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; film 16 mm, color, sound, 4:3, 6\u201929\u2019\u2019<\/p><p class=\"vsa-card__note u-meta\">1979 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/koolhaas-houselife\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/10\/Ila-Beka-Louise-Lemoine-Koolhaas-Houselife-2007-2008-still-video-e1792657593466.jpg\" alt=\"Ila B\u00eaka, Louise Lemoine, Koolhaas Houselife, 2007-2008 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ila B\u00eaka, Louise Lemoine<\/p><h3 class=\"vsa-card__title\">Koolhaas Houselife<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, sound, 58\u2019<\/p><p class=\"vsa-card__note u-meta\">2007-2008 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/lassedio\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/innocenti-lassedio-768x432.jpeg\" alt=\"Marta Innocenti, L\u2019Assedio, 2021 \u2014 SCREENING PROGRAM - FONDAZIONE GALLERIA MILANO\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Marta Innocenti<\/p><h3 class=\"vsa-card__title\">L\u2019Assedio<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM &#8211; FONDAZIONE GALLERIA MILANO, 52&#039;<\/p><p class=\"vsa-card__note u-meta\">2021 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/la-cucina-di-olivia\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/2003_pinocchio_-768x526.jpg\" alt=\"Edizioni Brigantino, La cucina di Olivia, 2026 \u2014 CARTOLERIA E TIPOGRAFIA BONVINI 1909 - installation in dialogue with the works of Lucia Pescador\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Edizioni Brigantino<\/p><h3 class=\"vsa-card__title\">La cucina di Olivia<\/h3><p class=\"vsa-card__note u-meta\">CARTOLERIA E TIPOGRAFIA BONVINI 1909 &#8211; installation in dialogue with the works of Lucia Pescador<\/p><p class=\"vsa-card__note u-meta\">2026 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/la-grande-occasione\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/grande-occasione.png\" alt=\"Ugo La Pietra, La grande occasione, 1973 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - film 35 mm, b\/n, sound, 4:3\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">La grande occasione<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; film 35 mm, b\/n, sound, 4:3, 13&#039;42&#039;&#039;<\/p><p class=\"vsa-card__note u-meta\">1973 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/la-riappropriazione-della-citta\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-La-riappropriazione-della-citta-Ed.-Centre-Georges-Pompidou-Parigi-1977-still-video.jpg\" alt=\"Ugo La Pietra, La riappropriazione della citt\u00e0, 1977 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - film 16 mm, b\/n e color, sound, 4:3,\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">La riappropriazione della citt\u00e0<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; film 16 mm, b\/n e color, sound, 4:3,, 29\u201941\u2019\u2019<\/p><p class=\"vsa-card__note u-meta\">1977 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/la-ricerca-della-mia-identita\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/identita.png\" alt=\"Ugo La Pietra, La ricerca della mia identit\u00e0, 1974 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Film 16 mm, b\/n, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">La ricerca della mia identit\u00e0<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Film 16 mm, b\/n, sound, 8&#039;<\/p><p class=\"vsa-card__note u-meta\">1974 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/le-park\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Randa-Maroufi-Le-Park-2015-766x338.jpg\" alt=\"Randa Maroufi, Le Park, 2015 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Randa Maroufi<\/p><h3 class=\"vsa-card__title\">Le Park<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, sound, 14&#039;<\/p><p class=\"vsa-card__note u-meta\">2015 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/medina-parkour\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Jordi-Colomer-Medina-Parkour-2013-still-video-768x511.gif\" alt=\"Jordi Colomer, Medina \u2013 Parkour, 2013 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, silent\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Jordi Colomer<\/p><h3 class=\"vsa-card__title\">Medina \u2013 Parkour<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, silent, 3\u201905\u2019\u2019<\/p><p class=\"vsa-card__note u-meta\">2013 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/party-on-the-caps\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Meriem-Bennani-Party-on-the-CAPS-2018-still-video-768x432.jpg\" alt=\"Meriem Bennani, Party on the CAPS, 2018 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Video HD, color, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Meriem Bennani<\/p><h3 class=\"vsa-card__title\">Party on the CAPS<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Video HD, color, sound, 25\u201908\u201d<\/p><p class=\"vsa-card__note u-meta\">2018 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/per-oggi-basta-il-commutatore\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Ugo-La-Pietra-Per-oggi-basta-il-Commutatore-1970-still-video.jpg\" alt=\"Ugo La Pietra, Per oggi basta! (il Commutatore), 1974 \u2014 SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO - Film 16 mm, b\/n, sound\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ugo La Pietra<\/p><h3 class=\"vsa-card__title\">Per oggi basta! (il Commutatore)<\/h3><p class=\"vsa-card__note u-meta\">SCREENING PROGRAM | FONDAZIONE GALLERIA MILANO &#8211; Film 16 mm, b\/n, sound, 14&#039;<\/p><p class=\"vsa-card__note u-meta\">1974 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/spoken-panorama\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Cem-A.-Double-Bind-Riga-2026-Courtesy-of-Riga-Art-Week-and-Cem-A.-Ph.-Kristine-Madjare-768x512.jpg\" alt=\"Cem A., Spoken Panorama, 2026 \u2014 FONDAZIONE GALLERIA MILANO - performance\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Cem A.<\/p><h3 class=\"vsa-card__title\">Spoken Panorama<\/h3><p class=\"vsa-card__note u-meta\">FONDAZIONE GALLERIA MILANO &#8211; performance<\/p><p class=\"vsa-card__note u-meta\">2026 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/surplace-radio\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Michele-di-stefano-altro-hotel-phot-Lorenza-daverio-Triennale-Milano-768x960.jpg\" alt=\"Michele Di Stefano, Surplace Radio, 2026 \u2014 MINCIO SWIMMING POOL - performance\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Michele Di Stefano<\/p><h3 class=\"vsa-card__title\">Surplace Radio<\/h3><p class=\"vsa-card__note u-meta\">MINCIO SWIMMING POOL &#8211; performance<\/p><p class=\"vsa-card__note u-meta\">2026 \u00b7 XVI edition<\/p><\/div><\/a><\/li><li class=\"vsa-card\" data-wp-bind--hidden=\"callbacks.isHidden\" data-wp-context='{&quot;editions&quot;:[&quot;xvi-edition-2026&quot;]}'><a class=\"vsa-card__link\" href=\"https:\/\/videosoundart.com\/en\/works\/tra-le-righe-nasce\/\"><div class=\"vsa-card__poster\"><img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Tra-le-Righe-nasce_03-768x432.jpeg\" alt=\"Ode de Kort, Tra le Righe, (nasce), 2026 \u2014 MINCIO SWIMMING POOL - site-specific video installation\" loading=\"lazy\"><\/div><div class=\"vsa-card__body\"><p class=\"u-eyebrow\">Ode de Kort<\/p><h3 class=\"vsa-card__title\">Tra le Righe, (nasce)<\/h3><p class=\"vsa-card__note u-meta\">MINCIO SWIMMING POOL &#8211; site-specific video installation<\/p><p class=\"vsa-card__note u-meta\">2026 \u00b7 XVI edition<\/p><\/div><\/a><\/li><\/ul>\t<\/div>\n\t<\/div>\n<\/div>\n\t<section class=\"vsa-program wp-block-vsa-program\" data-wp-interactive=\"vsa\/program\"\n\t\tdata-wp-context='{&quot;venue&quot;:&quot;tutte&quot;,&quot;format&quot;:&quot;tutti&quot;}'>\n\t\t<h2 class=\"vsa-secttitle vsa-program__title\">Program<\/h2>\n\t\t<div class=\"vsa-program__filters\">\n\t\t\t\t\t\t\t<div class=\"vsa-program__group\" role=\"group\" aria-label=\"Filter by venue\">\n\t\t\t\t\t<span class=\"u-eyebrow\">Venue<\/span>\n\t\t\t\t\t<button class=\"is-on\" data-wp-class--is-on=\"callbacks.isVenueSelected\"\n\t\t\t\t\t\tdata-wp-context='{&quot;venueValue&quot;:&quot;tutte&quot;}'\n\t\t\t\t\t\tdata-wp-on--click=\"actions.filterVenue\">All<\/button>\n\t\t\t\t\t\t\t\t\t\t\t<button data-wp-class--is-on=\"callbacks.isVenueSelected\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;venueValue&quot;:&quot;piscina-mincio&quot;}'\n\t\t\t\t\t\t\tdata-wp-on--click=\"actions.filterVenue\">Piscina Mincio<\/button>\n\t\t\t\t\t\t\t\t\t\t\t<button data-wp-class--is-on=\"callbacks.isVenueSelected\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;venueValue&quot;:&quot;fondazione-galleria-milano&quot;}'\n\t\t\t\t\t\t\tdata-wp-on--click=\"actions.filterVenue\">Fondazione Galleria Milano<\/button>\n\t\t\t\t\t\t\t\t\t\t\t<button data-wp-class--is-on=\"callbacks.isVenueSelected\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;venueValue&quot;:&quot;cartoleria-tipografia-bonvini-1909&quot;}'\n\t\t\t\t\t\t\tdata-wp-on--click=\"actions.filterVenue\">Cartoleria e Tipografia Bonvini 1909<\/button>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-program__group\" role=\"group\" aria-label=\"Filter by type\">\n\t\t\t\t\t<span class=\"u-eyebrow\">Type<\/span>\n\t\t\t\t\t<button class=\"is-on\" data-wp-class--is-on=\"callbacks.isFormatSelected\"\n\t\t\t\t\t\tdata-wp-context='{&quot;formatValue&quot;:&quot;tutti&quot;}'\n\t\t\t\t\t\tdata-wp-on--click=\"actions.filterFormat\">All<\/button>\n\t\t\t\t\t\t\t\t\t\t\t<button data-wp-class--is-on=\"callbacks.isFormatSelected\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;formatValue&quot;:&quot;performance-en&quot;}'\n\t\t\t\t\t\t\tdata-wp-on--click=\"actions.filterFormat\">Performance<\/button>\n\t\t\t\t\t\t\t\t\t\t\t<button data-wp-class--is-on=\"callbacks.isFormatSelected\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;formatValue&quot;:&quot;talk&quot;}'\n\t\t\t\t\t\t\tdata-wp-on--click=\"actions.filterFormat\">Talk<\/button>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<a class=\"vsa-program__ics\" href=\"https:\/\/videosoundart.com\/en\/?vsa_ics=xvi-edition-2026\">\n\t\t\t\t\tAdd to calendar (.ics)\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\n\t\t\t\t\t<div class=\"vsa-program__day\">\n\t\t\t\t<h3 class=\"vsa-program__date\">\n\t\t\t\t\t<time datetime=\"2026-11-19\">\n\t\t\t\t\t\tThursday 19 November\t\t\t\t\t<\/time>\n\t\t\t\t<\/h3>\n\t\t\t\t<ol class=\"vsa-program__list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;&quot;,&quot;eventFormat&quot;:&quot;&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-19 18:00:00\">18:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-19 22:00:00\">22:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Opening XVI edizione<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">Apertura della XVI edizione del Festival Preferiremmo andare fuori strada presso le sedi Cartoleria e Tipografia Bonvini 1909 (Via Tagliamento, 1, 20139) e Fondazione Galleria Milano  (Via Arcivescovo Romilli, 7, 20135).<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"vsa-event__free\">Free entry<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;cartoleria-tipografia-bonvini-1909&quot;,&quot;eventFormat&quot;:&quot;talk&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-19 19:30:00\">19:30<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-19 20:30:00\">20:30<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t<p class=\"u-eyebrow\">Talk<\/p>\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Presentazione del libro &#8220;Nel giorno pi\u00f9 piccolo del mondo&#8221;<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">In occasione dell&#039;inaugurazione dell&#039;installazione &quot;La cucina di Olivia&quot;, dove le opere di  Lucia Pescador incontrano le pratiche di Edizioni Brigantino, presso lo spazio che accoglie l&#039;intervento adiacente a Bonvini 1909 \u00e8 in programma la presentazione del libro &quot;Nel giorno pi\u00f9 piccolo del mondo&quot;, sulla mostra di Lucia Pescador del 2014 che ha inaugurato l&#039;inizio dell&#039;attuale attivit\u00e0 di Bonvini 1909. \nIl talk vedr\u00e0 un dialogo tra l&#039;artista Lucia Pescador, la curatrice Marta Sironi, il duo artistico Edizioni Brigantino e il direttore di Bonvini 1909 Roberto Di Puma.<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__venue u-meta\">Cartoleria e Tipografia Bonvini 1909 \u2014 Via Tagliamento, 1, 20139 Milano<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"vsa-event__free\">Free entry<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"vsa-program__day\">\n\t\t\t\t<h3 class=\"vsa-program__date\">\n\t\t\t\t\t<time datetime=\"2026-11-20\">\n\t\t\t\t\t\tFriday 20 November\t\t\t\t\t<\/time>\n\t\t\t\t<\/h3>\n\t\t\t\t<ol class=\"vsa-program__list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;piscina-mincio&quot;,&quot;eventFormat&quot;:&quot;&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-20 18:00:00\">18:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-20 22:00:00\">22:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Opening sede Piscina Mincio<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">Apertura della sede Piscina Mincio (Via Mincio, 13, 20139 Milano). \nIl Festival \u00e8 aperto in tutte le sedi &#8211; Fondazione Galleria Milano Cartoleria e Tipografia Bonvini 1909 e Piscina Mincio.<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__venue u-meta\">Piscina Mincio \u2014 Via Mincio, 13, 20139 Milano<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"vsa-event__free\">Free entry<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;fondazione-galleria-milano&quot;,&quot;eventFormat&quot;:&quot;talk&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-20 20:00:00\">20:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-20 21:00:00\">21:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t<p class=\"u-eyebrow\">Talk<\/p>\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Talk<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">Talk con l&#039;artista Ugo La Pietra e il critico d&#039;arte e curatore Marco Meneguzzo<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__venue u-meta\">Fondazione Galleria Milano \u2014 Via Arcivescovo Romilli, 7, 20139 Milano<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"vsa-event__free\">Free entry<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"vsa-program__day\">\n\t\t\t\t<h3 class=\"vsa-program__date\">\n\t\t\t\t\t<time datetime=\"2026-11-21\">\n\t\t\t\t\t\tSaturday 21 November\t\t\t\t\t<\/time>\n\t\t\t\t<\/h3>\n\t\t\t\t<ol class=\"vsa-program__list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;fondazione-galleria-milano&quot;,&quot;eventFormat&quot;:&quot;talk&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-21 11:00:00\">11:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-21 12:00:00\">12:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t<p class=\"u-eyebrow\">Talk<\/p>\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Talk<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">Talk moderato da Rita Duina e Tommaso Santagostino in dialogo con la docente e ricercatrice Laura Raccanelli.\n<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__venue u-meta\">Fondazione Galleria Milano \u2014 Via Arcivescovo Romilli, 7, 20139 Milano<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"vsa-event__free\">Free entry<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-event\"\n\t\t\t\t\t\t\tdata-wp-bind--hidden=\"callbacks.isEventHidden\"\n\t\t\t\t\t\t\tdata-wp-context='{&quot;eventVenue&quot;:&quot;piscina-mincio&quot;,&quot;eventFormat&quot;:&quot;performance-en&quot;}'>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__time\">\n\t\t\t\t\t\t\t\t\t<time datetime=\"2026-11-21 20:00:00\">20:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\u2013 <time datetime=\"2026-11-21 21:00:00\">21:00<\/time>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"vsa-event__body\">\n\t\t\t\t\t\t\t\t<p class=\"u-eyebrow\">Performance<\/p>\t\t\t\t\t\t\t\t<h4 class=\"vsa-event__title\">Surplace Radio performance<\/h4>\n\t\t\t\t\t\t\t\t<p class=\"vsa-event__desc\">Surplace Radio is a performance that takes the form of a radio programme: from a temporary studio, Michele Di Stefano takes on the role of presenter and presents a programme of new releases and ethnomusical imagery, based on his album L\u2019altro Hotel. The work draws on a vast collection of voice memos recorded by the artist whilst travelling around the world. Localised sounds, environmental fragments and moments of personal experience are reworked into pieces of \u2018situated\u2019 music.&lt;br\/&gt;In keeping with the conventions of music journalism, Di Stefano introduces unlikely artists and tracks; he recounts their origins, recording techniques and anecdotes through reconstructions that are as plausible as they are fictional. Imaginary theories such as \u2018placed music\u2019 and the \u2018accanto theory\u2019 evoke forms of non-selective listening, in which sound occurs alongside the listener, without necessarily capturing their attention. What emerges is a soundscape in which distant places, landscapes and everyday situations overlap, whilst reality and fiction become indistinguishable.<\/p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"vsa-event__venue u-meta\">Piscina Mincio \u2014 Via Mincio, 13, 20139 Milano<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<p class=\"vsa-event__action\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"vsa-btn vsa-btn--solid\" href=\"https:\/\/www.eventbrite.it\/e\/2003938553157?aff=oddtdtcreator\">Tickets<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\t\t\t<\/div>\n\t\t\t<\/section>\n\t\n<h2 class=\"wp-block-heading\">Opening hours<\/h2>\n\n<p class=\"wp-block-paragraph\">Thursday, November 19, 6:00 p.m. \u2013 10:00 p.m. <br\/>Cartoleria e Tipografia Bonvini 1909 and Fondazione Galleria Milano<br\/>Friday, November 20, 6:00 p.m. \u2013 10:00 p.m. <br\/>Fondazione Galleria Milano, Cartoleria e Tipografia Bonvini 1909 and Mincio Swimming Pool<br\/>Saturday, November 21, and Sunday, November 22, 11:00 a.m. \u2013 10:00 p.m. <br\/>Fondazione Galleria Milano, Cartoleria e Tipografia Bonvini 1909 and Mincio Swimming Pool<\/p>\n\t<section class=\"vsa-venues alignwide wp-block-vsa-venues\">\n\t\t<h2 class=\"vsa-secttitle vsa-venues__title\">Venues<\/h2>\t\t\t\t\t<div class=\"vsa-venues__item\">\n\t\t\t\t\t<article class=\"vsa-venue\" id=\"fondazione-galleria-milano\">\n\t\t<div class=\"vsa-venue__inner\">\n\t\t\t\t<div class=\"vsa-venue__media\">\n\t\t\t\t\t\t\t<img src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/unnamed-3-2-1024x682.jpg\"\n\t\t\t\t\talt=\"\" loading=\"lazy\" decoding=\"async\">\n\t\t\t\t\t<\/div>\n\t\t<div class=\"vsa-venue__body\">\n\t\t\t\t\t\t<h3 class=\"vsa-venue__name\">Fondazione Galleria Milano<\/h3>\n\t\t\t\t\t\t\t\t<p class=\"vsa-venue__addr\">Via Arcivescovo Romilli, 7, 20139 Milano<\/p>\n\t\t\t\t\t\t\t<p class=\"vsa-venue__note u-meta\">Founded in 2024 out of Sandro Somar\u00e9\u2019s historic Galleria Milano, today a non-profit foundation for contemporary art.<\/p>\n\t\t\t\t\t\t\t\t\t<p class=\"vsa-venue__map\">\n\t\t\t\t<a class=\"u-link\" href=\"https:\/\/www.google.com\/maps\/search\/?api=1&#038;query=Fondazione%20Galleria%20Milano%2C%20Via%20Arcivescovo%20Romilli%2C%207%2C%2020139%20Milano%2C%20Milano\"\n\t\t\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\tDirections\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"vsa-venues__item\">\n\t\t\t\t\t<article class=\"vsa-venue\" id=\"cartoleria-tipografia-bonvini-1909\">\n\t\t<div class=\"vsa-venue__inner\">\n\t\t\t\t<div class=\"vsa-venue__media\">\n\t\t\t\t\t\t\t<img src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Esterno-negozioJPG-1-1024x681.jpg\"\n\t\t\t\t\talt=\"\" loading=\"lazy\" decoding=\"async\">\n\t\t\t\t\t<\/div>\n\t\t<div class=\"vsa-venue__body\">\n\t\t\t\t\t\t<h3 class=\"vsa-venue__name\">Cartoleria e Tipografia Bonvini 1909<\/h3>\n\t\t\t\t\t\t\t\t<p class=\"vsa-venue__addr\">Via Tagliamento, 1, 20139 Milano<\/p>\n\t\t\t\t\t\t\t<p class=\"vsa-venue__note u-meta\">Historic Milanese stationer\u2019s and printing shop, in business since 1909.<\/p>\n\t\t\t\t\t\t\t\t\t<p class=\"vsa-venue__map\">\n\t\t\t\t<a class=\"u-link\" href=\"https:\/\/www.google.com\/maps\/search\/?api=1&#038;query=Cartoleria%20e%20Tipografia%20Bonvini%201909%2C%20Via%20Tagliamento%2C%201%2C%2020139%20Milano%2C%20Milano\"\n\t\t\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\tDirections\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"vsa-venues__item\">\n\t\t\t\t\t<article class=\"vsa-venue\" id=\"piscina-mincio\">\n\t\t<div class=\"vsa-venue__inner\">\n\t\t\t\t<div class=\"vsa-venue__media\">\n\t\t\t\t\t\t\t<img src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/unnamed23-1-768x1024.jpg\"\n\t\t\t\t\talt=\"\" loading=\"lazy\" decoding=\"async\">\n\t\t\t\t\t<\/div>\n\t\t<div class=\"vsa-venue__body\">\n\t\t\t\t\t\t<h3 class=\"vsa-venue__name\">Piscina Mincio<\/h3>\n\t\t\t\t\t\t\t\t<p class=\"vsa-venue__addr\">Via Mincio, 13, 20139 Milano<\/p>\n\t\t\t\t\t\t\t<p class=\"vsa-venue__note u-meta\">Public neighbourhood swimming pool designed by Pier Luigi Nervi, opened in 1964.<\/p>\n\t\t\t\t\t\t\t\t\t<p class=\"vsa-venue__map\">\n\t\t\t\t<a class=\"u-link\" href=\"https:\/\/www.google.com\/maps\/search\/?api=1&#038;query=Piscina%20Mincio%2C%20Via%20Mincio%2C%2013%2C%2020139%20Milano%2C%20Milano\"\n\t\t\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\tDirections\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/article>\n\t\t\t\t<\/div>\n\t\t\t<\/section>\n\t\t<div class=\"vsa-partners vsa-partners--loghi alignwide wp-block-vsa-partners\">\n\t\t\t\t\t\t\t<div class=\"vsa-partners__group\">\n\t\t\t\t\t\t\t\t\t<p class=\"u-eyebrow vsa-partners__level\">With the contribution of<\/p>\n\t\t\t\t\t\t\t\t<ul class=\"vsa-partners__list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-partners__item\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"vsa-partners__link\" href=\"https:\/\/www.comune.milano.it\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Copia-de-Copy-of-Travel-Vlog-YouTube-Thumbnail-12-Photoroom-300x235.png\" alt=\"Comune di Milano\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-partners__item\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"vsa-partners__link\" href=\"https:\/\/www.fondazionecariplo.it\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Copia-de-Copy-of-Travel-Vlog-YouTube-Thumbnail-12-Photoroom-Copia-300x204.png\" alt=\"Fondazione Cariplo\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"vsa-partners__group\">\n\t\t\t\t\t\t\t\t\t<p class=\"u-eyebrow vsa-partners__level\">Body of regional importance \u2014 With the contribution of<\/p>\n\t\t\t\t\t\t\t\t<ul class=\"vsa-partners__list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"vsa-partners__item\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"vsa-partners__link\" href=\"https:\/\/www.regione.lombardia.it\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2026\/08\/Copia-de-Copy-of-Travel-Vlog-YouTube-Thumbnail-13-Photoroom-300x115.png\" alt=\"Regione Lombardia\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<nav class=\"vsa-related alignwide wp-block-vsa-related\" aria-label=\"See also\">\n\t\t<p class=\"u-eyebrow\">See also<\/p>\n\t\t<ul>\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t<a href=\"https:\/\/videosoundart.com\/en\/festival\/editions\/\">\n\t\t\t\t\t\t<span class=\"vsa-related__label u-meta\">Archive<\/span>\n\t\t\t\t\t\t<span class=\"vsa-related__title\">All editions<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t\t<\/ul>\n\t<\/nav>\n\t\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":3610,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_acf":"","vsa_edition_status":"in-corso","footnotes":""},"class_list":["post-1931","vsa_edition","type-vsa_edition","status-publish","has-post-thumbnail","hentry"],"acf":{"roman":"XVI","year":2026,"dates_label":"19\u201322 November 2026","date_start":"2026-11-19 10:00:00","date_end":"2026-11-22 22:00:00","city":"Milano","collective":"Thomas Ba, Rita Duina, Edizioni Brigantino, Laura Lamonea, Lino Palena, Tommaso Santagostino","cover":3610,"venues":[1943,1938,1955],"partners":[{"partner":550,"level":78},{"partner":549,"level":78},{"partner":616,"level":82}]},"_links":{"self":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_edition\/1931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_edition"}],"about":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/types\/vsa_edition"}],"version-history":[{"count":43,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_edition\/1931\/revisions"}],"predecessor-version":[{"id":5021,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_edition\/1931\/revisions\/5021"}],"acf:post":[{"embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_venue\/1955"},{"embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_venue\/1938"},{"embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_venue\/1943"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/media\/3610"}],"wp:attachment":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/media?parent=1931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}