{"id":2219,"date":"2026-08-21T14:11:50","date_gmt":"2026-08-21T12:11:50","guid":{"rendered":"https:\/\/videosoundart.com\/artisti\/radouan-mriziga-2\/"},"modified":"2026-08-25T09:47:27","modified_gmt":"2026-08-25T07:47:27","slug":"radouan-mriziga","status":"publish","type":"vsa_artist","link":"https:\/\/videosoundart.com\/en\/artists\/radouan-mriziga\/","title":{"rendered":"Radouan Mriziga"},"content":{"rendered":"","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"_acf":"","footnotes":""},"vsa_edizione":[34],"class_list":["post-2219","vsa_artist","type-vsa_artist","status-publish","hentry","vsa_edizione-xi-edizione-2021"],"acf":{"origin":"Morocco","portrait":null,"bio":"<p>With an eye to Oskar Schlemmer\u2019s work at the Bauhaus, Radouan Mriziga places at the foundation of his choreographic research the human figure, \u201cthe measure of all things\u201d, in which the opposite poles of the organic and of number are reconciled.<\/p>","works":[2333]},"_links":{"self":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_artist\/2219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_artist"}],"about":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/types\/vsa_artist"}],"version-history":[{"count":1,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_artist\/2219\/revisions"}],"predecessor-version":[{"id":2317,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_artist\/2219\/revisions\/2317"}],"acf:post":[{"embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_work\/2333"}],"wp:attachment":[{"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/media?parent=2219"}],"wp:term":[{"taxonomy":"vsa_edizione","embeddable":true,"href":"https:\/\/videosoundart.com\/en\/wp-json\/wp\/v2\/vsa_edizione?post=2219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}