{"id":4728,"date":"2016-07-09T22:37:06","date_gmt":"2016-07-09T20:37:06","guid":{"rendered":"http:\/\/www.videosoundart.com\/?p=4728"},"modified":"2016-07-09T22:50:53","modified_gmt":"2016-07-09T20:50:53","slug":"bibliography","status":"publish","type":"post","link":"https:\/\/videosoundart.com\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p>Roland Barthes, <strong>La camera chiara<\/strong>, <em>Einaudi, Torino 2003<\/em><br \/>\nZygmunt Bauman, <strong>Gli usi postmoderni del sesso<\/strong>, <em>Il Mulino, Bologna 2013<\/em><br \/>\nAldo Carotenuto, <strong>Eros e Pathos<\/strong>, <em>Bompiani, Milano 2015<\/em><br \/>\nByung-Chul Han, <strong>Eros in agonia<\/strong>, <em>Nottetempo, Roma 2015<\/em><br \/>\nByung-Chul Han, <strong>La societ\u00e0 della trasparenza<\/strong>, <em>Nottetempo, Roma 2014<\/em><br \/>\nUmbero Galimberti, <strong>Le cose d&#8217;amore<\/strong>,<em> Feltrinelli, Milano 2013<\/em><br \/>\nRomano Gasparotti, <strong>Filosofia dell&#8217;Eros<\/strong>, <em>Bollati Boringhieri, Torino 2007<\/em><br \/>\nJulia Kristeva, <strong>Poteri dell&#8217;orrore<\/strong>, <em>Spirali, Milano 2006<\/em><br \/>\nOctavio Paz, <strong>La duplice fiamma. Amore ed erotismo<\/strong>, <em>SE, Milano 2006<\/em><br \/>\nPlatone, <strong>Simposio<\/strong>, <em>Feltrinelli, Milano 1995<\/em><\/p>\n<p>BIBLIOGRAPHICAL NOTES<br \/>\nByung-Chul Han, who teaches Philosophy and theory of the Media in Berlin, theorizes in his book Agony of the Eros the death of Eros, killed by narcissism and the culture of assimilation. In the society of performance, characterised by the obsession to emerge, often in pathological self-reference, the Other tends to be degraded to a mere mirror of one\u2019s own ego, a source of confirmation and consensus for a subject  in the hypertrophic quest for recognition. Reducing the Other to the self, one\u2019s own ideals and fantasies, is equivalent to depriving oneself of the emancipating strength of Eros, which is synonymous with going out of oneself, interruption of solipsism and repetition and which appears as a singular and irreducible event, always beyond the tasks that we set ourselves and the control we exercise over ourselves.<br \/>\nSymmetrically to the erosion of the Other is the progressive pornification of Eros, which Han  analyses in another book,  The transparent society, in which he reflects on transparency as an ideological base of the digital society. The culture of exposure\/exhibition of the self, as presupposed by the social networks, which extends from the body to words, from thoughts to fantasies, cancels out every possibility of erotic communication, assigning everything to a careless, pleasurable, positivity which is more suitable to the genre of immediate pleasure (I like\/I don\u2019t like it) than of loving and which, to the contrary of desire, does not allow any imaginative deviation. Continuing the observations of Roland Barthes in Camera Lucida, Han reminds us that a semantic opacity, an ambiguity, belongs to the erotic, which opens up only to the observer who lingers and contemplates where pornography begins,  exactly where the secret disappears to the benefit  of total self-ostentation. The presence of the punctum, which according to Barthes distinguishes the erotic image from the pornographic one does not produce pleasure, but a wound, a deep emotion, a disturbance that sets off thought and projects desire beyond the self. Pornographic images, on the other hand, do not offer anything to read, they are post-hermeneutic: they are emptied in consumption and in the spectaculum. In the transparent society, which does not tolerate gaps in information or in vision, love risks becoming a formula for enjoyment, in which the other is only the object of excitement: pornography.<br \/>\nThe considerations of Zygmunt Baumann go in a direction converging with that of Han. In On Postmodern uses of sex, the sociologist explains how  the current version of sexual activity is concentrated exclusively on  its orgasmic effect.  Bauman\u2019s theory is that in the postmodern age, eroticism has been released from both the function of reproduction and love, to become a cultural norm, taking on an importance that it did not have in the past, but at the same time, it has an original lightness and volatility, precisely of our times. On closer examination, the emancipation of eroticism has not produced any liberation because if it is true that it has had amongst its consequences an apparently freer sexuality, it also responds to the imperatives of the performance and the new micropowers. The real problem, however, that postmodern eroticism induces is that total lack of a norm, not in the moralistic sense of the term, but of accepted and shared social behaviour, and the few empirical rules that emerge, increase the confusion due to apparently insoluble contradictions. Postmodern culture magnifies the powers of sex and encourages infusing every corner of the world and life with erotic meaning and, at the same time, the rules of political correctness forbid treating the other as a pure sexual object. The result is a situation full of psychic neuroses, \u201call the more serious due to the fact that it is no longer clear what the norm is and consequently which type of conformity to the norm  can heal them.\u201d<\/p>\n<p><a href=\"\/open-call-2016-2\/?lang=en\">INSTRUCTION<\/a><br \/>\n<a href=\"\/prizes\/?lang=en\">PRIZES<\/a><br \/>\n<a href=\"\/theme\/?lang=en\">THEME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roland Barthes, La camera chiara, Einaudi, Torino 2003 Zygmunt Bauman, Gli usi postmoderni del sesso, Il Mulino, Bologna 2013 Aldo Carotenuto, Eros e Pathos, Bompiani, Milano 2015 Byung-Chul Han, Eros in agonia, Nottetempo, Roma 2015 Byung-Chul Han, La societ\u00e0 della trasparenza, Nottetempo, Roma 2014 Umbero Galimberti, Le cose d&#8217;amore, Feltrinelli, Milano 2013 Romano Gasparotti, Filosofia &hellip; <a href=\"https:\/\/videosoundart.com\/en\/bibliography\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-4728","post","type-post","status-publish","format-standard","hentry","category-senza-categoria-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - 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