{"id":19949,"date":"2024-09-25T18:05:48","date_gmt":"2024-09-25T16:05:48","guid":{"rendered":"https:\/\/videosoundart.com\/programma-pubblico\/"},"modified":"2024-10-30T20:06:42","modified_gmt":"2024-10-30T19:06:42","slug":"programma-pubblico","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/programma-pubblico\/","title":{"rendered":"Public Program"},"content":{"rendered":"\n

Houses : Homes<\/em><\/strong><\/h4>\n\n\n\n

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24 October<\/strong>
Circolo San Luis 1946, Via Don Bosco 7<\/h5>\n\n\n\n

h 18:00
Opening<\/p>\n\n\n\n

19:00, Circolo San Luis
Listening session
Palestinian Sound Archive<\/strong>
curated by Mo’min Swaitat \/ Majazz Project \/\/ \u0645\u0634\u0631\u0648\u0639 \u0645\u062c\u0627\u0632\u0632<\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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Mo\u2019min Swaitat presents a listening session from the Palestinian Sound Archive .It is a celebration of music, spoken word and album artwork from historic Palestine, mainly from the 1960s \u2013 1990s. It is part of Majazz Project, a Palestinian-led record label and research platform founded by actor, director and filmmaker Mo\u2019min Swaitat in 2020. 
Over several years, Swaitat amassed an extensive archive of cassettes and vinyl records from Palestine and beyond, spanning everything from field recordings of Bedouin weddings to revolutionary albums from the First and Second Intifadas, instrumental tracks, poetry, soul, folk songs and jazz. Many of these were acquired from a former record label in Swaitat\u2019s hometown Jenin, in the north of the West Bank. 
Swaitat comes from a long line of Bedouin musicians and storytellers, and the archive references his rootedness in music as a means of celebrating one\u2019s culture and sense of belonging.<\/p>\n\n\n\n

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26 October<\/strong>
Circolo San Luis 1946, Via Don Bosco 7<\/h5>\n\n\n\n

h 16:00 – 17:30
Convivial meeting: Presentation of the winning project from the open call
What do we want? Hacking Monopoly<\/em><\/strong>
by Zeroscena<\/strong> (Elisa La Boria and Luka Bagnoli)
In conversation with: the researcher and associate professor in History of Islamic countries at the Universit\u00e0 di Napoli \u2018L’Orientale\u2019 Sara Borrillo<\/strong>, the associate professor in economic-political geography at the Universit\u00e0 di Torino Francesco Chiodelli<\/strong>, the professor at the Politecnico di Milano Annunziata Albano<\/strong>.
Curated by the Video Sound Art Team (Laura Lamonea, Erica Petrillo<\/strong> and Tommaso Santagostino<\/strong>).<\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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Video Sound Art on the occasion of the 14th edition of the festival has launched a new open call proposing for the first time to suspend the usual process of producing new works and place at the center a theoretical critical investigation. The Open Call was thus born from the intention to reflect on the CASE theme through a \u201cconvivial\u201d research methodology, encouraging a common and participatory reflection.<\/p>\n\n\n\n

The winner project is What do we want? Hacking Monopoly<\/em> proposed by Zeroscena, a collective founded in 2020 by Elisa La Boria and Luka Bagnoli. This is how they present their work: \u2018Starting from a familiar, domestic object, we intend to raise pressing social issues. Thinking of the word \u2018houses\u2019, somewhere in our memory appear those little green wooden moulds for which we risked ruining many friendships and family relationships. Our idea is that, in the same way, real houses are the object of a social rift. Hacking Monopoly<\/em> is a laboratory where, through experimentation in a protected environment (the board game), strategies are invented to hack reality. And this is ultimately what we want’.
As part of the festival’s public program, the winning project is presented through a convivial meeting in which issues such as the housing emergency, social inequalities and the scarcity of resources are confronted and \u2018played critically\u2019.<\/p>\n\n\n\n

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h 18: 00 – 18:40
Lecture
Milan, South Frontier. Ethnographic incursions into the pre-mega event neighborhood: aesthetics and politics in Corvetto<\/strong><\/em><\/strong>
by Laura Raccanelli<\/strong>, Researcher at the Bicocca University of Milan, Department of Sociology and Social Research.<\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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What does it mean to live in the \u201cpre-mega event\u201d [i.e. upcoming Winter Olympic Game] neighborhood? The panel discussion will present the results of the ethnographic research conducted between fall 2022 and early 2024 in the southeast quadrant of Milan, one of the areas of the city undergoing the most rapid transformations, suspended between gentrification processes already largely advanced and areas still heavily criminalized and stigmatized in public opinion. Right in the middle of a territorial diagonal that connects the two largest works currently under construction related to the upcoming Milan-Cortina 2026 Winter Olympics – the Olympic Village at Scalo di Porta Romana and the new Palaitalia in Rogoredo – lies the most working-class neighborhood of Corvetto, an area now represented as Milan’s new frontier of change, or even \u201cthe neighborhood of the future,\u201d a specific imaginary well embodied by the panorama of cranes and scaffolding that surrounds it. However, behind these narratives heralded through celebratory tones, today Corvetto’s present still seems disturbing<\/em>. Between rhetorics of degradation and appeals to a phantom return of decorum, between attempts at beautification and policies of the unwanted, of aesthetic control of public space, we will try to dismantle the language that influences and facilitates some recurrent dynamics of housing and spatial inequality. Through some ethnographic snapshots, we will recount the increasingly troubled everyday life of Milan’s new southern frontier.<\/p>\n\n\n\n

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h 20:00
Dj set 
Living-room Extended<\/em><\/strong>
curated by Pain\u00e8 Cuadrelli<\/strong><\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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Musical excursion straddling genres \u2013 acoustic, jazz, soundtracks and electronics \u2013 by musician, music producer and sound designer Pain\u00e9 Cuadrelli. \u201cWhen I think of the idea of home, I imagine an intimate and personal space, both a physical place and the sum total of the memories we carry with us wherever we go.\u201d In light of these words, the artist’s musical selection will be inspired by the one he usually offers to the people that he welcomes to his house, thus transforming Circolo San Luis into an extension of his living room.<\/p>\n\n\n\n

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27 October<\/strong><\/h5>\n\n\n\n

h 16:00
Gastro-sonic convivial meeting 
Sahha<\/strong><\/em>
by Arash Fayez<\/strong><\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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Sahha (\u0635\u062d\u0629) is Arabic for health and is commonly used in some Arab countries as a toast when sharing a drink. At Circolo San Luis, a drink will be served by the same name, offering a toast for a new ritual. Negroni is mythically said to have been invented nearby, and Sahha is a unique twist on this classic, infused with a hint of the Levant. Each glass will be rimmed with Lebanese Arak, an anise-flavored spirit, offering the aroma and a taste of Beirut\u2014a place the artist Arash Fayez has only visited in dreams. Before sipping, find someone you don\u2019t know and share a Sahha, wishing health to a stranger.<\/p>\n\n\n\n

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h 18:00
Listening session and lecture
Off the map<\/em><\/strong>
by Thomas Ba<\/strong>, independent curator and researcher<\/p>\n\n\n\n

Discover more<\/strong><\/summary>
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In recent years, rap music, in its subgenres trap and drill, has conquered the top of the Italian and international charts. It has done so by often talking about issues such as social redemption, hood-life and inequalities. Precisely because rap is born in the urban context, this panorama also includes some places in the city and the province that are usually forgotten -except when they hit the headlines. In this talk, some songs will be listened to and analyzed to narrate realities “off the map”, that is, not considered geographically or culturally “at the center”, but which contain fundamental social dynamics to describe contemporaneity.<\/p>\n\n\n\n

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14th edition Video Sound Art Festival<\/strong>
<\/strong>Houses : Homes<\/strong><\/em>
From October 24-27, 2024
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14th edition<\/strong>
Houses : Homes<\/em>
<\/strong>October 24 \u2013 27, 2024<\/p>\n\n\n\n

Concept<\/strong><\/a>
Open Call 2024<\/strong>
<\/a><\/p>\n\n\n\n

Venues<\/strong>:
Circolo San Luis 1946
Cartoleria e Tipografia Bonvini 1909
Eldodo Booksellers & Stationers
Panificio Meraviglia Di Pane
La Stazione delle Biciclette
Ristorante Sottobosco<\/p>\n\n\n\n

In collaboration with:<\/strong>
Comitato \u201cLuigi\u201d del quartiere Lodi Corvetto
Di Studio In Studio

With the contribuition of:
<\/strong>Comune di Milano
Fondazione Banca del Monte di Lombardia
Fondazione Cariplo
Acci\u00f3n Cultural Espa\u00f1ola (AC\/E)<\/p>\n\n\n\n

Curated by Video Sound Art<\/strong>
Artistic Direction
Laura Lamonea
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Curators of 14th edition 
Laura Lamonea Erica Petrillo 
<\/em>From a research project by Erica Petrillo 

Open Call Coordinator
Tommaso Santagostino
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Education
Thomas Ba, Laura Lamonea
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Production
Lino Palena
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Press and Communication Office
Francesca Mainardi, Caterina Migliore e<\/em>
Federica Torgano
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Graphic Identity
Francesco Galano<\/em><\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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