{"id":19858,"date":"2024-07-15T16:39:21","date_gmt":"2024-07-15T14:39:21","guid":{"rendered":"https:\/\/videosoundart.com\/case\/"},"modified":"2024-10-03T16:44:55","modified_gmt":"2024-10-03T14:44:55","slug":"case","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/case\/","title":{"rendered":"HOMES 14th edition"},"content":{"rendered":"\n

October 24 – 27, 2024<\/p>\n\n\n\n

\n
\n

the spring of 2023, 23-year-old engineering student Ilaria Lamera picketed a tent in Leonardo Square, in front of the Politecnico, to protest against high rents in Milan. Within days, other off-site students joined the protest, turning a public square into an open-air campsite. In the following days, the student protest branched out to Rome, Bologna, and Pisa in the following weeks.<\/p>\n\n\n\n

In July 2024, at the height of the summer tourist peak, several tourists in Malaga and Barcelona were \u201cattacked\u201d by groups of housing activists with water pistols and signs against Airbnb housing. At the same time, a banner appeared in the streets of Palermo’s historic centere with the words Touristification is the new plague. Where is my home? Viva Santa Rosalia [Touristification is the new plague. Where is my home? Viva Santa Rosalia].<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
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Ph: Rouzbeh Akhbari, Por ser a terra muito calmosa<\/em>, 2020. Glazed ceramic mural, 160 x 200 cm.<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Tents, water guns, and banners become emblems of a widespread problem concerning the non livability\/complexity of our cities, the right to housing or its denial, and the claim for more equitable and sustainable ways of coexistence.<\/p>\n\n\n\n

Talking about housing involves an individual dimension – our personal story can be described as a story of changing homes – and a collective one – access to housing is a political issue in which class, gender, geography of origin, cognitive capital are intertwined.<\/p>\n\n\n\n

Home can also be aspiration, pain, lack, nostalgia, and not just a pragmatic issue for politicians and architects. It is no accident that languages such as English distinguish between \u201chouse,\u201d the material home, the architectural apparatus in which one lives, and \u201chome,\u201d the symbolic home, there where one feels one belongs; or in the words of Egyptian poet Naguib Mahfouz, \u201cThere where all your attempts to escape cease.\u201d<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"
Ph: Times Square Spectacolor signboard animation, 1_10 min. Public Art Fund, New York. <\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Housing is also the theme of the 14th edition of Video Sound Art that will take place in the Lodi – Corvetto neighborhood, the pivot of an ongoing process of urban transformation in Milan. Nearly equidistant from the city\u2019s Cathedral and the Abbey of Chiaravalle and thus from the Milanese fields, it symbolically represents a split between the center and the suburbs that still characterizes the neighborhood\u2019s soul. The area between the former Porta Romana railway yard and the Rogoredo woods is indeed crossed by contradictions. On the one hand, its working-class soul is evidence of a near past in which small factories and residential complexes for the laboring classes lived in the neighborhood. Almost a century ago, the area housed the first experiments in social housing (later to become Aler, owned by the Region), which constituted the neighboring \u201cMazzini district. On the other, the recent construction of potential urban regeneration projects, such as the Symbiosis-Covivio \u201cbusiness district,\u201d the Prada Foundation and the soon-to-be-built Olympic village for the 2026 Olympics.<\/p>\n\n\n\n

Although the arrival of these new infrastructures is presented as the outset of a regeneration process, large groups of citizens, organized according to neighborhood  committees, instead claim another kind of narrative. Indeed, transgenerational and multiethnic communities linked to realities that have been active in the neighborhood for decades, such as Circolo San Luis (Via Don Bosco, 7) claim a sense of belonging to an area that is anything but anonymous and desolate. The friction between contrasting propositions found in the Lodi-Corvetto district represents in miniature the same frictions found on a larger scale at the city level.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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Ph: Circolo San Luis 1946, Milano. <\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

The festival finds its home in the Lodi Corvetto neighborhood and in particular at Circolo San Luis 1946. In collaboration with the neighborhood committee, activities will carry on from October the 24 to October 27. With a dense  program including a series of video installations, performances and activations,  the festival will create a choral narrative around the theme of housing. <\/p>\n\n\n\n

Can we look at houses as barometers that are capable of recording the major changes (political, societal, environmental) that are currently taking place? What are the houses in which new strategies of coexistence and cohabitation are being tested?<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
Open Call 2024<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Text “Le mie case” by Erica Petrillo<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n

Bibliography:<\/p>\n\n\n\n

Svetlana Boym, The Future of Nostalgia<\/em>, Basic Books, 2001<\/p>\n\n\n\n

Penlin Tan, \u201cCamps as Trans-Local Commons\u201d in e-flux conversations<\/em>, 17 July 2017<\/p>\n\n\n\n

\u00c9douard Glissant, \u201cFor Opacity\u201d in Poetics of Relation<\/em>, 1990<\/p>\n\n\n\n

C\u00e9line Condorelli, Support Structures<\/em>, 2009<\/p>\n\n\n\n

Silvia Federici, Caliban and the Witch<\/em>, 2004<\/p>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
\n

14th edition<\/strong>
October 24 \u2013 27, 2024<\/p>\n\n\n\n

Venues<\/strong>:
Circolo San Luis,
Via Don Bosco, 7
Piazza San Luigi
MM3 Lodi, Milano<\/p>\n\n\n\n

Curated by<\/strong>
Laura Lamonea e Erica Petrillo
<\/p>\n\n\n\n

Open Call Coordinator<\/strong>
Tommaso Santagostino<\/p>\n\n\n\n

The research HOMES is by
<\/strong>Erica Petrillo with BASE Milano
developed in the context of a
curatorial residency in the 2023\/2024
<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

October 24 – 27, 2024 the spring of 2023, 23-year-old engineering student Ilaria Lamera picketed a tent in Leonardo Square, in front of the Politecnico, to protest against high rents in Milan. Within days, other off-site students joined the protest, turning a public square into an open-air campsite. In the following days, the student protest … Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-19858","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nHOMES 14th edition - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/case\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HOMES 14th edition - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"October 24 – 27, 2024 the spring of 2023, 23-year-old engineering student Ilaria Lamera picketed a tent in Leonardo Square, in front of the Politecnico, to protest against high rents in Milan. 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