{"id":19850,"date":"2024-09-12T18:05:34","date_gmt":"2024-09-12T16:05:34","guid":{"rendered":"https:\/\/videosoundart.com\/xiv-edizione\/"},"modified":"2025-11-24T12:41:22","modified_gmt":"2025-11-24T11:41:22","slug":"xiv-edizione","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/xiv-edizione\/","title":{"rendered":"14th edition"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><em>Houses : Homes<\/em><\/h2>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"HOUSES : HOMES, Video Sound Art Festival XIV Edition\" src=\"https:\/\/player.vimeo.com\/video\/1039238296?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>VIDEO SOUND ART presents the 14th edition of the festival, entitled<em><strong> Houses : Homes<\/strong><\/em>, scheduled from October 24-27, 2024 with an exhibition project spread across various venues: a square, a recreational club, historic stores and stores, adjacent to Piazza San Luigi in Milan&#8217;s Lodi Corvetto neighbourhood.<\/p>\n\n\n\n<p>Through installations by Italian and international artists and a dense public program of panel discussions and performances, the festival will explore various facets related to the theme of housing: from material aspects such as the right to housing and the ambiguous consequences of gentrification (currently more than ever in the neighbourhood that will host the festival), to symbolic issues such as the sense of belonging to a community or its denial. The two sides of the coin, then, of housing: the architectural and material apparatus (\u201chouses\u201d) and the symbolic and affective one (\u201chomes\u201d).<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Exhibition and public program<\/strong><\/h6>\n\n\n\n<p>The artistic program presented by Video Sound Art will see Circolo San Luis as one of its main venues. <br>Circolo San Luis will host the research of Iranian artist <strong>Arash Fayez<\/strong>, with a layered installation that dialogues with some elements of the hosting space, such as the counter, the bulletin boards, and the billiard table. Continuing the festival&#8217;s well-established tradition of collaboration with independent publishing realities, this year Video Sound Art chooses to collaborate with Arabpop, a magazine dedicated to contemporary arts and literature from Arab countries. The 14th edition will present a brand new installation developed from issue n. 4 of the magazine, entitled <em>CASA <\/em>[an Italian word that merges the meaning of the Enligh terms \u201chouse\u201d and \u201chomes\u201d].<\/p>\n\n\n\n<p>The exhibition continues in stores and venues nearby St. Louis Square. Participating artists include: <strong>Adele Dipasquale<\/strong> and <strong>Nicoletta Grillo<\/strong>, whose works will be presented at the historic stationery and printing shop Bonvini1909; <strong>Jonathas de Andrade<\/strong> at Eldodo bookstore; <strong>Daya Cahen<\/strong> at the cycle shop La Stazione delle Biciclette; <strong>Mara Palena<\/strong> at Sottobosco restaurant; and finally <strong>Martha Rosler<\/strong>&#8216;s iconic video work Semiotics of the Kitchen at the bakery Meraviglia Di Pane.<\/p>\n\n\n\n<p>To enrich the Festival, a public program will involve the Circolo San Luis 1946 with talks, performances and music sessions.<\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/videosoundart.com\/en\/programma-pubblico\/\" style=\"border-radius:0px\">Discover the public program<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/videosoundart.com\/en\/testi-curatoriali-xiv-edizione\/\" style=\"border-radius:0px\">Curatorial texts<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>ARABPOP<\/strong><\/h4>\n\n\n\n<p>Installation dedicated to No. 4 CASA, spring 2023<br><strong>\u2192<\/strong> Circolo San Luis 1946<strong> <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-1024x683.jpg\" alt=\"\" class=\"wp-image-20216\" style=\"width:911px;height:auto\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-810x540.jpg 810w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/13_DSF2329-3-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>ArabPop, spreadsheet from Issue 4, <em>CASA<\/em>, Spring 2023<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>More about the artwork<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>In the Arabic language, there are a myriad of terms to refer to the house: bayt, dar, manzil, maskan. Subtle semantic shifts that evoke the many meanings of dwelling, a word of the everyday that contains universes. Issue 4 of Arabpop (Tamu Editions), a semi-annual cultural magazine established in 2021 focusing on contemporary arts and literatures from Arab countries, is entitled CASA (an italian word that merges the meanings of \u201chouse\u201d and \u201chome\u201d) and is devoted entirely to this theme.&nbsp;<br>Continuing a series of well-established collaborations between Video Sound Art and independent publishing realities, a selection of textual and iconographic excerpts from No. 4 of Arabpop challenge the original format, becoming a site-specific installation inside Circolo San Luis that recalls the atmosphere of a home or reading room.<br>Selected contributions include: <em>I&#8217;m Here<\/em>, Laila Sit Aboha&#8217;s editorial, Carol Sansour&#8217;s <em>Il Pollaio<\/em>, Ines Abassi&#8217;s La Chiave, and Jasmine and Imad Barri\u2019s photography project <em>The Diaspora Archive.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20136\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-1024x768.jpg\" alt=\"\" class=\"wp-image-20136\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/14R0254691-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20134\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-1024x768.jpg\" alt=\"\" class=\"wp-image-20134\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/16R0254702-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20138\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-1024x768.jpg\" alt=\"\" class=\"wp-image-20138\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/10R0254671-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>ARASH FAYEZ<\/strong><\/h4>\n\n\n\n<p><em>Apolis <br>I Can Only Dance to One Song<\/em><br><strong>\u2192<\/strong> Circolo San Luis 1946<strong> <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-1024x768.jpg\" alt=\"\" class=\"wp-image-20146\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/08R0254666-2-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Arash Fayez, <em>I Can Only Dance to One Song<\/em>, 2021, single channel 4K UHD video, sound, color, 10&#8217;56&#8221;<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong>More about the artwork<\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p><em>You are not illegal, but you are not legal either.<\/em> From this exchange between artist Arash Fayez and his immigration lawyer stemmed <em>Apolis<\/em>, a visual autobiography chronicling Fayez&#8217;s life in limbo between 2014 and 2018. The 312 pages comprise the artist&#8217;s immigration file in the United States, from his arrest to his voluntary departure from the country. Photographs of everyday life taken with a smartphone are \u201ccollaged\u201d over sections of the dossier, concealing personal and sensitive information. This juxtaposition generates a multi-layered narrative: a tension between the faceless authority of bureaucracy and the distinctiveness of individual stories, between those who hold power and those who do not.<br>Born in Tehran and currently living in Barcelona, Fayez&#8217;s practice investigates notions such as dislocation, statelessness and suspension, both in his personal saga and in those of others. In the film <em>I Can Only Dance to One Song<\/em>, Fayez films people from migrant communities in Barcelona as they listen to and dance to a track of their choice, thus exploring the universal role of music in producing a sense of belonging and nostalgia for a place. Initially conceived as a one-channel film, the film is now presented as a 4-channel installation that disperses the polyphony of voices collected by Fayez, introducing an unexpected dialogue with the counter of the Circolo San Luis.&nbsp;<\/p>\n\n\n\n<p>The project was developed with the contribution of Acci\u00f3n Cultural Espa\u00f1ola (AC\/E).<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20148\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-1024x768.jpg\" alt=\"\" class=\"wp-image-20148\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/06R0254794-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20152\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-1024x768.jpg\" alt=\"\" class=\"wp-image-20152\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/09R0254666-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20150\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-1024x768.jpg\" alt=\"\" class=\"wp-image-20150\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/05R0254780-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>MARTHA ROSLER<\/strong><\/h4>\n\n\n\n<p><em>Semiotics of the Kitchen<\/em><br><strong>\u2192<\/strong> Meraviglia di Pane Bakery<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-1024x768.jpg\" alt=\"\" class=\"wp-image-20005\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Martha-Rosler-still-Semiotics-of-the-Kitchen-1975-Single-channel-video-b_w-sound-621.-Courtesy-of-Martha-Rosler-and-Electronic-Arts-Intermix-EAI-New-York.-4-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Martha Rosler, <em>Semiotics of the Kitchen<\/em>, 1975, Single-channel video, b:w, sound, 6&#8217;21&#8221;. Courtesy of Martha Rosler and Electronic Arts Intermix (EAI), New York.<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>The house is not a neutral territory, but a space imbued with invisible cultural connotations and meanings \u2013&nbsp;and gender is one of them. In <em>Semiotics of the Kitchen<\/em>, an iconic feminist video and performance piece published in 1975, artist Martha Rosler takes on the role of an aproned housewife and parodies a television cooking show. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space. Wielding knives, a nutcracker and a rolling pin, Rosler goes about her surreal task: her gestures forcefully punctuate her anger and frustration at the oppressive and stereotypical roles traditionally associated with the female universe.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"20156\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-768x1024.jpg\" alt=\"\" class=\"wp-image-20156\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-768x1024.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-405x540.jpg 405w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-1152x1536.jpg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-1536x2048.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/59R0255002-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"20158\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-768x1024.jpg\" alt=\"\" class=\"wp-image-20158\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-768x1024.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-405x540.jpg 405w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-1152x1536.jpg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-1536x2048.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/58R0255000-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Martha Rosler, <em>Semiotics of the Kitchen<\/em>, 1975. Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>MARA PALENA<\/strong><\/h4>\n\n\n\n<p><em>Frozen Memories V, Are we all looking at the same sky?<\/em><br><strong>\u2192<\/strong> Ristorante Sottobosco<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1024x768.jpg\" alt=\"\" class=\"wp-image-20161\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Mara Palena,&nbsp;<em>Frozen memories V, Are we really all looking at the same sky?<\/em>, video installation 30\u201932\u2019\u2019, 2024.&nbsp;<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Mara Palena&#8217;s research focuses on themes such as memory, remembrance and identity. In her work, photography, sound and video are starting points that sometimes enter the \u201creal\u201d space by taking on their own physicality in the form of installation, through superimpositions and sculptural translations of images. The artist takes elements from archives, often open and participatory ones such as those of home movies as well as drawing on a personal archive made up of photographic images that she has used to keep track of her life for years. The realm of the intimate opens to the collective through the construction of a potentially infinite mnemonic archive. For <em>Frozen Memories V,<\/em> part of a series started in 2021, the artist imprisons in an ice cube an element familiar to us all, the glowing stars that dotted the ceilings of our rooms as children. The video captures the slow melting of the ice, a stuck memory that is slowly released and set free. The sped-up footage of this act seems to show us the artist&#8217;s need to observe from the outside a memory of his own, intimate and reassuring, which is here collectively shared.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"20162\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-768x1024.jpg\" alt=\"\" class=\"wp-image-20162\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-768x1024.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-405x540.jpg 405w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-1152x1536.jpg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-1536x2048.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/53R0254981-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20164\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-1024x768.jpg\" alt=\"\" class=\"wp-image-20164\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/54R0254984-1-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>ADELE DIPASQUALE<\/strong><\/h4>\n\n\n\n<p><em>Lose Voice Toolkit<\/em><br><strong>\u2192<\/strong> Cartoleria e Tipografia Bonvini 1909<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-1024x768.jpg\" alt=\"\" class=\"wp-image-20171\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/38R0254893-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Adele Dipasquale, <em>Lose Voice Toolkit<\/em>, 2024, super 16mm transferred to 2K, DCP, sound 5.1, 18\u201930\u2019\u2019<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p><em>Lose Voice Toolkit <\/em>is a research project investigating the languages of childhood, the power of silence and other forms of nonverbal communication used as gestures of refusal and as ways to construct spaces of autonomy from the communicative canons of the adult world.<br>In an indefinable place and time &#8211; an ancestral and universal home &#8211; a group of children seem to cease using words. These may have been lured away by powerful language-stealing magnets or melted away by sweet voice-losing candy. Either way, the words have disappeared. Children begin to transform and develop a new language of aerial shapes, sharp looks, shared thoughts. One might think they speak with their noses, with their elbows, with their pupils.&nbsp;&nbsp;<br>The film is the result of a year of collective research and a workshop with the twenty-three children of Farfallopoli (1B IC Gino Strada, Turin); the content, script and costumes are the result of this collective process.&nbsp; The work was produced within the Crypt747 Residency and Research Fellowship.<br>For the 14th edition of Video Sound Art, the artist presents the video as a new installation form: the film is projected within the set design used during filming, involving the viewer in the construction of the visual representation.&nbsp; The meta-cinematic structure becomes the home of moving images within which the possibilities of cinema, of creating new communicative worlds, intertwine with children in search of new words.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20173\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-1024x768.jpg\" alt=\"\" class=\"wp-image-20173\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/32R0254867-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"20175\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-768x1024.jpg\" alt=\"\" class=\"wp-image-20175\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-768x1024.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-405x540.jpg 405w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-1152x1536.jpg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-1536x2048.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/33R0254871-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20177\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-1024x768.jpg\" alt=\"\" class=\"wp-image-20177\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/37R0254891-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>NICOLETTA GRILLO<\/strong><\/h4>\n\n\n\n<p><em>Oltremare Studio<\/em><br><strong>\u2192<\/strong> Cartoleria e Tipografia Bonvini 1909<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-1024x768.jpg\" alt=\"\" class=\"wp-image-20188\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/45R0254919-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Nicoletta Grillo, <em>Oltremare Studio<\/em>, 2024, video 4K UHD, cound, color, variable duration.<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p><em>Oltremare Studio<\/em> focuses on the fragile landscape between the provinces of Vibo Valentia and Reggio Calabria, investigating the intersection between geological history, human migration and the movements of water that have shaped both the land and its inhabitants. The region, once submerged by the sea, is now littered with fossils of extinct marine species preserved in white sand cliffs, giving us a tangible sense of the effects of environmental change by creating a visual connection to the movements of human migration. <em>Oltremare Studio<\/em> starts from the artist&#8217;s personal history and that of the territory, characterised by migration movements first to Argentina and then to Northern Italy. Through a series of recorded conversations, particularly with the artist&#8217;s father, the video examines emotional landscapes of departure, oscillating between nostalgia, the desire to overcome one&#8217;s borders, and a broader longing for \u201cprogress\u201d that drove local politics. Focusing especially on the local youth, at the time when many begin to dream of leaving their homes, the video unfolds between the vast vistas of fossil-rich white quarries, the industrial port of Gioia Tauro, inland landscapes and sea views, domestic interiors, and people in motion.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20181\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-1024x768.jpg\" alt=\"\" class=\"wp-image-20181\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/43R0254908-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20185\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-1024x768.jpg\" alt=\"\" class=\"wp-image-20185\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/44R0254915-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20189\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-1024x768.jpg\" alt=\"\" class=\"wp-image-20189\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/48R0254941-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>DAYA CAHEN<\/strong><\/h4>\n\n\n\n<p><em>Birth of a Nation<\/em><br><strong>\u2192<\/strong> La Stazione delle biciclette<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"664\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Daya-Cahen-still-Birth-of-a-Nation-2010-single-screen-projection-952.-11-edited.jpg\" alt=\"\" class=\"wp-image-20023\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Daya-Cahen-still-Birth-of-a-Nation-2010-single-screen-projection-952.-11-edited.jpg 886w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Daya-Cahen-still-Birth-of-a-Nation-2010-single-screen-projection-952.-11-edited-721x540.jpg 721w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/Daya-Cahen-still-Birth-of-a-Nation-2010-single-screen-projection-952.-11-edited-768x576.jpg 768w\" sizes=\"auto, (max-width: 886px) 100vw, 886px\" \/><\/figure>\n\n\n\n<p>Daya Cahen, <em>Birth of a Nation<\/em>, 2010, single screen projection, 9&#8217;52\u2019\u2019<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>For the making of the film <em>Birth of a Nation<\/em>, made in 2010, Cahen visited Cadet school #9 in Moscow. This is part of the patriotic education of Vladimir Putin&#8217;s government. Here girls ages 11 to 17 march in parade uniforms, do field drills, participate in target practice, and learn cooking, sewing, hairstyling, makeup, preparation for military action, and sacrifice for the Motherland. <em>Birth of a Nation <\/em>offers a glimpse into Putin&#8217;s contemporary Russia. The question Cahen&#8217;s work poses is how far forms of patriotism determine the surrender of independent thought and action. Fifteen years later, the images of these young women seem to be prophetic, as they lay bare the system of heroic construction of Russian youth. Cahen&#8217;s research focuses on forms of political conditioning, with a particular interest in the power of the mass media and its use in the construction of forms of propaganda and indoctrination.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2219\" height=\"1664\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited.jpg\" alt=\"\" class=\"wp-image-20195\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited.jpg 2219w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/52R0254964-edited-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2219px) 100vw, 2219px\" \/><\/figure>\n\n\n\n<p>Daya Cahen, <em>Birth of a Nation<\/em>, 2010.<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><br><strong>JONATHAS DE ANDRADE<\/strong><\/h4>\n\n\n\n<p><em>O Caseiro [The Housekeeper]<\/em><br><strong>\u2192<\/strong> Eldodo Booksellers &amp; Stationers<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-1024x768.jpg\" alt=\"\" class=\"wp-image-20200\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/66R0255027-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Jonathas de Andrade,<em> O Caseiro,<\/em> 2016, 8 min, HD video, loop.<br>Installation view, Video Sound Art XIV edition, Milan, 2024. Ph. Francesca Ferrari<\/p>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong><strong><strong><strong><strong><strong>More about the artwork<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Jonathas de Andrade makes videos, photographs, and installations based on the reproduction of images and texts. In his work, the artist uses documentation as well as fictional images to explore social issues, power dynamics, and conflicts in Brazil, investigating the impact of history, slavery, and colonialism on local communities. The video <em>O Caseiro<\/em> reprises the 1959 film <em>O Mestre de Apipucos [The Masters and the Slaves]<\/em> by Joaquim Pedro de Andreade. In <em>O Caseiro<\/em> the screen is symmetrically divided into two narratives. On the left, the 1959 film shows the daily life of Gilberto Freyre, a famous Brazilian writer and sociologist, in his home in the Apipucos neighbourhood of Recife, where the artist currently lives and works. On the right, De Andrade creates a simultaneous mirroring of the original scenes by replacing Freyre himself with the janitor of his wealthy residence. The parallel between the two characters, one historical and one fictional, highlights the differences in class and race, which are also among the most frequently discussed themes in Freyre&#8217;s sociological writings.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20201\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-1024x768.jpg\" alt=\"\" class=\"wp-image-20201\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/63R0255018-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20203\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-1024x768.jpg\" alt=\"\" class=\"wp-image-20203\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/65R0255024-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"20205\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-1024x768.jpg\" alt=\"\" class=\"wp-image-20205\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-720x540.jpg 720w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2024\/10\/64R0255020-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:64px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>14th edition Video Sound Art<\/strong><br><strong style=\"\"><i>Houses : Homes<\/i><\/strong><br>October 24-27, 2024<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1084\" height=\"132\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-11-24-at-12.36.51.jpeg\" alt=\"\" class=\"wp-image-21240\" style=\"width:515px;height:auto\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-11-24-at-12.36.51.jpeg 1084w, https:\/\/videosoundart.com\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-11-24-at-12.36.51-960x117.jpeg 960w, https:\/\/videosoundart.com\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-11-24-at-12.36.51-1024x125.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-11-24-at-12.36.51-768x94.jpeg 768w\" sizes=\"auto, (max-width: 1084px) 100vw, 1084px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-right\"><strong>14th edition<\/strong><br><strong><em>Houses : Homes<\/em><br><\/strong>October 24 \u2013 27, 2024<\/p>\n\n\n\n<p class=\"has-text-align-right\"><a href=\"https:\/\/videosoundart.com\/en\/case\/\"><strong><br><\/strong><\/a><a href=\"https:\/\/videosoundart.com\/en\/testi-curatoriali-xiv-edizione\/\"><strong>Curatorial texts<\/strong><\/a><br><a href=\"https:\/\/videosoundart.com\/en\/open-call-2024\/\"><strong>Open Call 2024<\/strong><\/a><br><a href=\"https:\/\/videosoundart.com\/en\/press\/\"><strong>Press<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Venues<\/strong>:<br>Circolo San Luis 1946<br>Cartoleria e Tipografia Bonvini 1909<br>Eldodo Booksellers &amp; Stationers<br>Panificio Meraviglia Di Pane<br>La Stazione delle Biciclette<br>Ristorante Sottobosco<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>In collaboration with:<\/strong><br>Comitato \u201cLuigi\u201d del quartiere Lodi Corvetto<br>Di Studio In Studio<br><br><strong>With the contribuition of:<br><\/strong>Comune di Milano<br>Fondazione Banca del Monte di Lombardia<br>Fondazione Cariplo<br>Acci\u00f3n Cultural Espa\u00f1ola (AC\/E)<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Organization of Regional Importance<br><\/strong>Lombardy Region<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Curated by Video Sound Art<\/strong><br>Artistic Direction<br><em>Laura Lamonea<br><\/em><br>Curators of 14th edition&nbsp;<br><em>Laura Lamonea Erica Petrillo&nbsp;<br><\/em>From a research project by Erica Petrillo&nbsp;<br><br>Open Call Coordinator<br><em>Tommaso Santagostino<br><\/em><br>Education<br><em>Thomas Ba, Laura Lamonea<br><\/em><br>Production<br><em>Lino Palena<br><\/em><br>Press and Communication Office<br><em>Francesca Mainardi, Caterina Migliore e <\/em><br><em><em>Federica Torgano<\/em><br><\/em><br>Graphic Identity<br><em>Francesco Galano<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Houses : Homes VIDEO SOUND ART presents the 14th edition of the festival, entitled Houses : Homes, scheduled from October 24-27, 2024 with an exhibition project spread across various venues: a square, a recreational club, historic stores and stores, adjacent to Piazza San Luigi in Milan&#8217;s Lodi Corvetto neighbourhood. Through installations by Italian and international &hellip; <a href=\"https:\/\/videosoundart.com\/en\/xiv-edizione\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-19850","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>14th edition - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/xiv-edizione\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"14th edition - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"Houses : Homes VIDEO SOUND ART presents the 14th edition of the festival, entitled Houses : Homes, scheduled from October 24-27, 2024 with an exhibition project spread across various venues: a square, a recreational club, historic stores and stores, adjacent to Piazza San Luigi in Milan&#8217;s Lodi Corvetto neighbourhood. 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