{"id":15045,"date":"2022-09-06T14:05:34","date_gmt":"2022-09-06T12:05:34","guid":{"rendered":"https:\/\/videosoundart.com\/caterina-morigi\/"},"modified":"2022-10-13T12:08:33","modified_gmt":"2022-10-13T10:08:33","slug":"caterina-morigi","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/caterina-morigi\/","title":{"rendered":"Caterina Morigi"},"content":{"rendered":"\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-scaled.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-1024x683.jpg\" alt=\"\" class=\"wp-image-15298\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Caterina Morigi,&nbsp;<em>Making Special, soli<\/em>, 2022, Marmo Azul Bahia, engraving, 43 x 50 x 2 cm. Produced in collaboration with Ultravioletto.art e Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, 2022. Ph.Anna D\u2019Amore&nbsp;<br><\/figcaption><\/figure>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Caterina Morigi\u2019s research focuses on the less obvious aspects of the matter. In order to address the substance of things, she uses a close gaze, observing the effect of time on forms, on the surface and in depth, ensuring that the work is always dependent on its physical transformations and connected to the surrounding space. The overlap between the organic and inorganic is used to probe the inescapable relationship between man and nature.<\/p>\n\n\n\n<p>Caterina Morigi revisits man&#8217;s traces embedded in the dull materiality of rock engravings in a contemporary key. The sculptural series <em>Making Special <\/em>condenses the characteristics of human errors with the imperfections of machines and the uncertainty of interpretation, subverting&nbsp; the forms of the ancient to bring them into the present. <br><em>I would like to read the works with the &#8216;Jungian&#8217; method, through the symbol that is always linked to human interiority. I start with the labyrinth, an abstract concept that largely captures our timeless interest. In the myths of antiquity, it is believed that some were built to deceive demons and that the labyrinth had an attractive capacity. In other cases, ancestral, circular or elliptical representations are thought to have mirrored astral movements, complementary to earthly labyrinths, symbolizing the loss of orientation, to defend and find (one&#8217;s) center. <br>For Jung, the sun is the symbol of the self and identity; for the Egyptian civilisation it was personified by Oro, the son of Isis and Osiris. The sun rejoins the labyrinth because, according to Eliade, it represents the generating and unifying rotational movement.<\/em><br>The <em>Making Special<\/em> series was realised in collaboration with Ultravioletto and the company Masutti Marmi. The title picks up on the theories of anthropologist Ellen Dissanayake, who argues that the artist, like human and animal mothers, has been involved in sacred rituals since prehistoric times, tending to make ordinary things special.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Born in 1991, she currently lives and works in Bologna. She studied at the IUAV in Venice and the Universit\u00e9 Paris8-Saint Denis. She has participated in numerous artistic residencies in Italy and abroad, including Spira (GR), Paris and Naples, at the Fondazione Archivio Casa Morra. He has exhibited at MAMbo Museum (Bologna), Archivio Casa Morra (Naples), Villa Della Regina (Turin), Mucho Mas! (Turin), MAR (Ravenna), BACO (Bergamo), Museo Nazionale della Montagna (Turin), Fondazione Bevilacqua la Masa (Venice), Fotografia Europa (Reggio Emilia).&nbsp; Her practice often includes collaboration with scientific centres (LAMA-Laboratory of Ancient Materials at the IUAV University) and currently with researchers at the Rizzoli Orthopaedic Institute and the University of Bologna. She is represented by Galleria G7 in Bologna.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-right\">XII edition<br><strong><em>The life of things<br>and\u202f the invisible qualities of objects<\/em><\/strong><br>22 \u2013 28 September 2022<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Venue:<br><\/strong>Teatro Carcano<br>Corso di Porta Romana, 63, <br>MM3 Crocetta, Milan<\/p>\n\n\n\n<p class=\"has-text-align-right\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1600\" data-id=\"15286\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg\" alt=\"\" class=\"wp-image-15286\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg 2400w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-scaled.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15295\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-scaled.jpg\" alt=\"\" class=\"wp-image-15295\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15291\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg\" alt=\"\" class=\"wp-image-15291\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n<figcaption class=\"blocks-gallery-caption\">Ph. 1 Caterina Morigi,&nbsp;<em>Making Special, soli<\/em>, 2022, Marmo Azul Bahia, engraving, 43 x 50 x 2 cm. Produced in collaboration with Ultravioletto.art e Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, 2022. Ph. Francesca Ferrari.<br>Ph. 2, 3 Caterina Morigi, <em>Making Special, labirinti<\/em>, 2022, starlight sapphire quartz, brown gold quartz, engraving and inlay, 37 x 77 x 2 cm. Produced in collaboration with Ultravioletto.art e Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, 2022. Ph. 2 Francesca Ferrari, Ph. 3 Alessandro Baldeschi<br><\/figcaption><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caterina Morigi\u2019s research focuses on the less obvious aspects of the matter. In order to address the substance of things, she uses a close gaze, observing the effect of time on forms, on the surface and in depth, ensuring that the work is always dependent on its physical transformations and connected to the surrounding space. &hellip; <a href=\"https:\/\/videosoundart.com\/en\/caterina-morigi\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-15045","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Caterina Morigi - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/caterina-morigi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Caterina Morigi - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"Caterina Morigi\u2019s research focuses on the less obvious aspects of the matter. 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