{"id":14746,"date":"2022-07-14T17:57:59","date_gmt":"2022-07-14T15:57:59","guid":{"rendered":"https:\/\/videosoundart.com\/xii-edizione\/"},"modified":"2022-11-23T14:30:55","modified_gmt":"2022-11-23T13:30:55","slug":"xii-edizione","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/xii-edizione\/","title":{"rendered":"XII edition"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\"><em>The life of things<\/em>&nbsp;<br>               <em>and\u202fthe invisible qualities of objects<\/em>&nbsp;<\/h4>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>After the Museo Civico di Storia Naturale and the Planetario Hoepli, Video Sound Art, a contemporary art festival since 2011, presented its<strong> twelfth edition<\/strong> with a programme of installations, videos, performance interventions and a screening programme at the Teatro Carcano. <br>The historic theatre, from the basement to the gallery, showcased the voices of the contemporary for seven days, ranging from video to publishing installations.&nbsp;<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Video Sound Art Festival XII edizione | The Life of Things and the invisible qualities of objects\" src=\"https:\/\/player.vimeo.com\/video\/763841323?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Starting with the reflections of the artists in the exhibition and in collaboration with the Dutch publishing project <strong>MacGuffin<\/strong>, the festival focused on the unexplored possibilities that each object embodies in relation to history, identity and social relations, attempting to unveil political and social conditioning &#8211; the invisible qualities of matter.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Overproduction and resource depletion are transparent entities looming over our heads while the life of things continues to scan our days. There is a world of exchange and circulation of power around objects and of hidden stages that turn out to be much more than mere stages of production.&nbsp;<em><em><br><\/em><\/em><\/em>Laura Lamonea, curator of the exhibition.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">MacGuffin<br><em>Chain chain chain<\/em><\/h4>\n\n\n\n<p>On the occasion of the launch of the new issue of the Dutch project MacGuffin &#8211; a design research platform exploring the life of ordinary things &#8211; the main stage of the theatre hosted an installation and a podcast corner.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-1024x683.jpg\" alt=\"\" class=\"wp-image-15204\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007254-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>MacGuffin, <em>Chain chain chain<\/em>, 8 wooden plinths, poster. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more about the MacGuffin project<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>MacGuffin &#8211; The Life of Things is a Dutch editorial project. In themed magazines, presentations, and podcasts, MacGuffin examines the objects around us and uses them as a starting point to explore the historical, social, and political aspects they represent. As with the MacGuffins in Hitchcock\u2019s films, the objects are not the main characters, but plot devices that set the story in motion. The strongly interdisciplinary approach that the curators, Kirsten Algera and Ernst van der Hoeven, propose is able to explore and put into perspective the main philosophical, social, and political theories of our time.<\/p>\n\n\n\n<p>To explore the topic in the publishing field, the Festival hosted the installation <em>Chain chain chain,<\/em> dedicated to the new issue <em>The Chain<\/em> focused on the object of the chain. From hip-hop jewellery to resistance movements, from new slavery to blockchain technologies, the work explores our complex relationship with the chain and its contrasting characteristics of connection, decoration, and constraint. The eight posters that compose the installation represent a selection of key images and articles from the eleventh issue that can be removed and taken home by the visitor, creating in their turn a chain of relationships. Along with the installation, the room also featured a podcast corner where visitors could listen to the <em>2Chains<\/em> podcast series created by researchers and curators Alix de Massiac and Alex Furtado Melville.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-scaled.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"15211\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-1024x683.jpg\" alt=\"\" class=\"wp-image-15211\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-12-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" data-id=\"15191\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment.jpg\" alt=\"\" class=\"wp-image-15191\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment.jpg 1920w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment-300x169.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment-1024x576.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment-768x432.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/09\/MacGuffin_No11_Bladeren_v1_Moment-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-scaled.jpeg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"15209\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-1024x768.jpeg\" alt=\"\" class=\"wp-image-15209\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-1024x768.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-300x225.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-768x576.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-1536x1152.jpeg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Yesuqi-Lin-7-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p>Ph. 1 MacGuffin, <em>Chain chain chain<\/em>, installation view. Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Anna D&#8217;Amore<br>Ph. 2 <em>The Chain<\/em> issue #11<br>Ph. 3 MacGuffin, <em>Chain chain chain<\/em>, installation view. Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Yesuqi Lin<\/p>\n\n\n\n<p><a href=\"https:\/\/www.macguffinmagazine.com\/\">Discover the MacGuffin project<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Mika Rottenberg<br><em>Cosmic Generator<\/em><\/h4>\n\n\n\n<p>In the gallery of the auditorium, the artist Mika Rottenberg presented the video <em>Cosmic Generator<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-1024x683.jpg\" alt=\"\" class=\"wp-image-15249\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5169-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Mika Rottenberg, <em>Cosmic Generator<\/em>, 2017, single-channel video installation, sound, colour, 26&#8217;36&#8221;, dimensions variable \u00a9 Mika Rottenberg, Courtesy the artist and Hauser &amp; Wirth, commissioned by Skulptur Projekte M\u00fcnster. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more and meet the artist<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Sacks of pearls, inflatable toys, plastic flowers, and sizzling frying pans, Mika Rottenberg&#8217;s film installations explore the relationships between immaterial goods and manufactured products and blur the line between reality and fiction.&nbsp;<\/p>\n\n\n\n<p><em>Cosmic Generator<\/em> by artist Mika Rottenberg is a video work that establishes a connection between various places and actors, including Calexico (California), Mexicali (Mexico) and Yiwu (China), to recreate the imaginary life of an object, from its production in a factory to the moment it is sold.<br>The film, whose title is a reference to the engineer and physicist Nikola Tesla (1856-1943), highlights the absurdity of our human condition and systems of production and circulation. The artist relates footage from a restaurant and a Calexico shop to a huge plastic market in Yiwu, China. The&nbsp; tunnel system suggests a reflection on how certain objects are allowed to circulate freely in the world, while for others, traveling a distance of a few meters can be a long and complex process.<br>The tiredness displayed by some of the female protagonists is also a reference to sleep as a temporary means of retreat and as one of the few remaining bodily resources that cannot be exploited.&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-scaled.jpeg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"15254\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-scaled.jpeg\" alt=\"\" class=\"wp-image-15254\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-scaled.jpeg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-300x225.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-1024x768.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-768x576.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-1536x1152.jpeg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Annalisa-Lei-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-scaled.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"15260\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-scaled.jpg\" alt=\"\" class=\"wp-image-15260\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-300x225.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/20220920_171459-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-4-scaled-e1665064857982.jpeg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" data-id=\"15256\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-4-scaled-e1665064857982.jpeg\" alt=\"\" class=\"wp-image-15256\"\/><\/a><\/figure>\n<figcaption class=\"blocks-gallery-caption\">Mika Rottenberg, <em>Cosmic Generator<\/em>, 2017, single-channel video installation, sound, colour, 26&#8217;36&#8221;, dimensions variable \u00a9 Mika Rottenberg, Courtesy the artist and Hauser &amp; Wirth, commissioned by Skulptur Projekte M\u00fcnster. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. <br>Ph. 1 Annalisa Lei; Ph. 3 Clelia Ricci <\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Ogu_sA5Zzwg&amp;t=111s\" data-rel=\"lightbox-video-0\">Watch the Mika Rottenberg interview<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Letizia Cariello (LETIA)<br><em>Con te<\/em><\/h4>\n\n\n\n<p>Letizia Cariello (LETIA) presented a complex installation consisting of a video work, a sculpture, and a wall painting intervention that transformed the space of the high foyer.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy-1024x683.jpg\" alt=\"\" class=\"wp-image-15264\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy-600x400.jpg 600w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5204-copy.jpg 1157w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Letizia Cariello (LETIA), <em>Con te<\/em>, 2021, video, 6\u2032. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Letizia Cariello (LETIA)&#8217;s research is aimed at mending connections and relationships between materials and spaces. Her sign crosses everyday objects to reconstruct perceptive echoes and materialize time in a perceptible form. <\/p>\n\n\n\n<p>For the 12th edition of the Festival, the artist presented a complex installation consisting of the video work <em>Con te<\/em> and the sculptural element <em>L&#8217;ombra mia mi ha fatto paura<\/em>. <em>Con te<\/em> is a sequence of 21 videos shot by the artist in the Piedmont countryside. They depict green wheat being moved by the wind. The installation forces the spectator to raise their head, turning into a tunnel. The light sound of the wind moving the wheat reaches the visitor, as if they were swimming through them. The disorientation is not an expedient to produce discomfort, but a system for the observer&#8217;s body to lose its mental awareness by accessing another type of gravity and physical experience. <em>L&#8217;ombra mia mi ha fatto paura<\/em> is the title of the fabric sculpture with a calendar written on it. A symbol of instability, the tent, which belongs to nomadic culture, is a kind of refuge. The work is inspired by the cabins in Travem\u00fcnde on the North Sea described by Thomas Mann.&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-scaled.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" data-id=\"15271\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-scaled.jpg\" alt=\"\" class=\"wp-image-15271\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-scaled.jpg 1707w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-768x1152.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-9-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-scaled.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" data-id=\"15269\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-scaled.jpg\" alt=\"\" class=\"wp-image-15269\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-scaled.jpg 1707w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-768x1152.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-scaled.jpeg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" data-id=\"15278\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-scaled.jpeg\" alt=\"\" class=\"wp-image-15278\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-scaled.jpeg 1920w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-225x300.jpeg 225w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-768x1024.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-1152x1536.jpeg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Clelia-Ricci-1536x2048.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p>Ph. 1 Letizia Cariello (LETIA), <em>Con te<\/em>, 2021, video, 6\u2032. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<br>Ph. 2 Letizia Cariello (LETIA), <em>L\u2019ombra mia mi ha fatto paura, <\/em>bamboo parasol with booth covered with sheet and black ink writing on iron stand designed by the artist, 2001-2022. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<br>Ph. 3 Letizia Cariello (LETIA), <em>L\u2019ombra mia mi ha fatto paura, <\/em>bamboo parasol with booth covered with sheet and black ink writing on iron stand designed by the artist, 2001-2022. Ph. Clelia Ricci<\/p>\n\n\n\n<p><a href=\"https:\/\/www.letiziacariello.com\">Discover the artist&#8217;s website<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Caterina Morigi<br><em>Making Special<\/em><\/h4>\n\n\n\n<p>Caterina Morigi presented two of the five works that make up the sculptural series <em>Making Special<\/em>: <em>Labirinti<\/em> and <em>Soli<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-scaled.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-1024x683.jpg\" alt=\"\" class=\"wp-image-15295\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-4-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Caterina Morigi, <em>Making Special<\/em>, <em>labirinti<\/em>, 2022, starlight sapphire quartz, brown gold quartz, engraving and inlay, 37 x 77 x 2 cm. Produced in collaboration with Ultravioletto.art and Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Caterina Morigi revisits man&#8217;s traces embedded in the dull materiality of rock engravings in a contemporary key. The sculptural series <em>Making Special <\/em>condenses the characteristics of human errors with the imperfections of machines and the uncertainty of interpretation, subverting&nbsp; the forms of the ancient to bring them into the present. <br><em>I would like to read the works with the &#8216;Jungian&#8217; method, through the symbol that is always linked to human interiority. I start with the labyrinth, an abstract concept that largely captures our timeless interest. In the myths of antiquity, it is believed that some were built to deceive demons and that the labyrinth had an attractive capacity. In other cases, ancestral, circular or elliptical representations are thought to have mirrored astral movements, complementary to earthly labyrinths, symbolizing the loss of orientation, to defend and find (one&#8217;s) center. For Jung, the sun is the symbol of the self and identity; for the Egyptian civilisation it was personified by Oro, the son of Isis and Osiris. The sun rejoins the labyrinth because, according to Eliade, it represents the generating and unifying rotational movement.<\/em><br>The <em>Making Special<\/em> series was realised in collaboration with Ultravioletto and the company Masutti Marmi. The title picks up on the theories of anthropologist Ellen Dissanayake, who argues that the artist, like human and animal mothers, has been involved in sacred rituals since prehistoric times, tending to make ordinary things special.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1600\" data-id=\"15286\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg\" alt=\"\" class=\"wp-image-15286\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1.jpg 2400w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_R007628-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-scaled.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15298\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-scaled.jpg\" alt=\"\" class=\"wp-image-15298\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Anna-DAmore-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg\" data-rel=\"lightbox-image-15\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15291\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg\" alt=\"\" class=\"wp-image-15291\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-20-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p>Ph. 1 Caterina Morigi, <em>Making Special<\/em>, <em>soli<\/em>, 2022, Marmo Azul Bahia, engraving, 43 x 50 x 2 cm. Produced in collaboration with Ultravioletto.art and Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari.\u00a0<br>Ph. 2 Caterina Morigi, <em>Making Special<\/em>, <em>soli<\/em>, 2022, Marmo Azul Bahia, engraving, 43 x 50 x 2 cm. Produced in collaboration with Ultravioletto.art and Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Anna D&#8217;Amore<br>Ph. 3 Caterina Morigi,<em> Making Special<\/em>, <em>labirinti<\/em>, 2022, starlight sapphire quartz, brown gold quartz, engraving and inlay, 37 x 77 x 2 cm. Produced in collaboration with Ultravioletto.art and Masutti marmi. Installation view, Video Sound Art Festival XII edition, Teatro Carcano, Milan, 2022. Ph. Alessandro Baldeschi<\/p>\n\n\n\n<p><a href=\"https:\/\/caterinamorigi.com\/\" data-type=\"URL\" data-id=\"https:\/\/caterinamorigi.com\/\">Discover the artist&#8217;s website<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">New productions<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Oli Bonzanigo<br><em>Unisono<\/em><\/h4>\n\n\n\n<p>The artist Oli Bonzanigo presented a new complex installation in the theatre courtyard.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-scaled.jpg\" data-rel=\"lightbox-image-16\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-1024x683.jpg\" alt=\"\" class=\"wp-image-15315\" width=\"674\" height=\"449\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/DSF5399-copy-600x400.jpg 600w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><\/a><figcaption>Oli Bonzanigo, <em>Unisono<\/em>, complex installation, 2022. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>The artist Oli Bonzanigo presents a new installation that mixes a unison of voices with a single emitting body and a helium balloon, which is blocked in its movement to generate a moment of contemplation. Starting from Naum Gabo&#8217;s concept of &#8216;stereometric transparency&#8217;, the artist has initiated an investigation into the transformation of solids into light forms.<br>The sound work is the focus of the installation: it is an archive containing recordings made by the artist since 2008 across different continents. Barroom chats, people at parties, gatherings in the square, demonstrations, thunderstorms on boats, prayers, backyard voices, children&#8217;s screams, encounters in the desert, streets and squares full of life. Voices in the courtyard, outside the theatre, almost in the street. We can see the counterweight of gravity, the lightness of air.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-scaled.jpg\" data-rel=\"lightbox-image-17\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" data-id=\"15325\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-scaled.jpg\" alt=\"\" class=\"wp-image-15325\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-scaled.jpg 1707w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-768x1152.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-7-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-scaled.jpg\" data-rel=\"lightbox-image-18\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"15564\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-683x1024.jpg\" alt=\"\" class=\"wp-image-15564\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-768x1152.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-1365x2048.jpg 1365w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-6-1-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-scaled.jpg\" data-rel=\"lightbox-image-19\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" data-id=\"15321\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-scaled.jpg\" alt=\"\" class=\"wp-image-15321\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-scaled.jpg 1707w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-200x300.jpg 200w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-683x1024.jpg 683w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-768x1152.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-1024x1536.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/FrancescA-Ferrari-8-1-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/a><\/figure>\n<figcaption class=\"blocks-gallery-caption\">Oli Bonzanigo, <em>Unisono<\/em>, complex installation, 2022. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/olibonzanigo.tumblr.com\/\" data-type=\"URL\" data-id=\"https:\/\/olibonzanigo.tumblr.com\/\">Discover the artist&#8217;s website<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Daniel de Paula<br><em>circula\u00e7\u00e3o<\/em><\/h4>\n\n\n\n<p>The theatre basement, normally inaccessible to the public, hosted Daniel de Paula&#8217;s complex installation composed of the video work <em>circula\u00e7\u00e3o<\/em> and newly produced sculptural and sound elements.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013.jpg\" data-rel=\"lightbox-image-20\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-1024x683.jpg\" alt=\"XII EDIZIONE\" class=\"wp-image-15293\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/web-_DSF5013-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Daniel de Paula, <em><em>circula\u00e7\u00e3o<\/em><\/em>, 2019, video-negotiation. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more and meet the artist<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Displayed on a decomposable LED screen, <em>circula\u00e7\u00e3o<\/em>, from 2019 still in progress, presents a collection of footage given to the artist by companies carrying out inspections for multinationals active in natural resource extraction and telecommunications. The neutrality of the content is only apparent: the images show the relentless commodification of the landscape.<br>The sculptural works are made out of recycled materials from different environments: electric cables, antenna components, fulgurites (fossils originating from lightning). For the sound intervention, the artist also uses existing material or material obtained through the practice of negotiation: sound fragments from the autotune software and sounds from companies that collect data for the oil extraction industry.<br>Autotune is software used in pop music to correct pitch, an example being the song <em>Believe <\/em>by Cher. It was invented by Andy Hildebrand, a scientist who, at the time, worked for ExxonMobil, collecting seismic data in order to locate oil deposits underground. To obtain data on the location of new deposits, the oil industry transmits sonic waves that bounce back to their origin. The data gathered is analyzed in an attempt to determine the composition of the ground.<br>It is from these assumptions that Andy Hildebrand &#8211; amateur flutist &#8211; creates Autotune. Daniel de Paula&#8217;s new work, through negotiation and observation, shows a system of control in which the production and exchange of goods are at the centre, even of the software used to create pop songs.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-scaled.jpg\" data-rel=\"lightbox-image-21\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15306\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-scaled.jpg\" alt=\"\" class=\"wp-image-15306\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-20-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-scaled.jpeg\" data-rel=\"lightbox-image-22\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"15308\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-scaled.jpeg\" alt=\"\" class=\"wp-image-15308\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-scaled.jpeg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-300x225.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-1024x768.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-768x576.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-1536x1152.jpeg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/image00014-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-scaled.jpg\" data-rel=\"lightbox-image-23\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15310\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-scaled.jpg\" alt=\"\" class=\"wp-image-15310\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-12-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p>Ph. 1-3 Daniel de Paula, <em>power-flow<\/em>, 2021, fulgurite, subterranean data cables, high-frequency antenna mounting bracket and aluminum zip ties. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Francesca Ferrari<br>Ph. 2 Daniel de Paula, <em>circula\u00e7\u00e3o<\/em>, 2019, video-negotiation. Installation view, Video Sound Art XII edition, Teatro Carcano, Milan, 2022. Ph. Yesuqi Lin<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=XhwsI045EWU&amp;t=53s\" data-rel=\"lightbox-video-1\">Watch Daniel de Paula interview<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Screening program and performances<\/h3>\n\n\n\n<p>The exhibition was enriched by performative interventions and a <strong>video dance screening programme <\/strong>with a selection of national and international titles aimed at awakening the expression of physical language in relation to the things that surround us.<\/p>\n\n\n\n<p><em>We are used to surrounding ourselves with objects, inanimate bodies that live around us, participating in our actions and motionless in becoming. What do objects tell us? How do they permeate our bodies? Dance, on and off screen, invites us to awaken our perception of the extensions of the body, of the relationships between more or less animate subjects, and of the mutations of space and time.<\/em><br><em>The Public Programme of the twelfth edition of Video Sound Art revolves around Videodance with a proposal never seen before in Italy, where the language that unites movement and the camera still remains largely unexplored.<\/em><br>Bianca Ambrosio, screening program coordinator<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Candoco Dance Company and Jo Bannon<br><em>Feeling Thing<\/em><\/h4>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1-1024x683.jpg\" alt=\"\" class=\"wp-image-14671\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1-600x400.jpg 600w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Candoco-Dance-Company-and-Jo-Bannon-Feeling-Thing-23-2022s-1.jpg 1087w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Candoco Dance Company e Jo Bannon, <em>Feeling Thing<\/em>, 2022, 23&#8242;<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more and watch the trailer<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>In <em>Feeling Thing<\/em> by London-based Candoco Dance Company and artist Jo Bannon, three performers establish an intimate dialogue with an object: a ladder, a fan, a hoover. The accompaniment is provided by ASMR \u2013 Autonomous Sensory Meridian Response \u2013 that is the sensation of relaxing tingling in the back of the head when actions such as whispering, hair brushing, scratching and hitting are heard or experienced. The viewer is thus invited to immerse themselves in a sensory, illogical and disturbing space in which all things are alive.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=xkCVdayT0Uk\" data-rel=\"lightbox-video-2\">Watch the trailer<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Silvia Giordano<br><em><em>Fresh oranges into the Ocean<\/em><\/em><\/h4>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1-1024x576.png\" alt=\"\" class=\"wp-image-14545\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1-1024x576.png 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1-300x169.png 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1-768x432.png 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1-1536x864.png 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Silvia-Giordano-Fresh-oranges-into-the-Ocean-12-2021_1.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Silvia Giordano, <em>Fresh oranges into the Ocean<\/em>, 2021, 12&#8242;<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more and watch the trailer<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Three oranges trace the delicate passage of three young women into adulthood through a metaphorical narration of their present condition and their projections into the future. In an intimate feminine journey between high and low tides, turbulence and contradictions, calm and turmoil, <em>Fresh oranges into the ocean<\/em> invites a poetic reflection on today&#8217;s existential themes in relation to nature. The images evoked by the bodies transport us to an another place: it is there that absurdity and poetry intersect, questions float and subtexts (there) reflect.<\/p>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/693608609\" data-rel=\"lightbox-video-3\">Watch the trailer<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Park So-Hyun<br><em>Pallae: Womanhood Story<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"556\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-1024x556.png\" alt=\"\" class=\"wp-image-14736\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-1024x556.png 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-300x163.png 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-768x417.png 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-1536x834.png 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/07\/Park-Sohyun-Pallae-Womanhood-Story-25-2021_2-1-2048x1112.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Park Sohyun, <em>Pallae: Womanhood Story<\/em>, 2021, 25&#8242;<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more and watch the trailer<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>With <em>Pallae: Womanhood Story<\/em> by Korean director Park So-Hyun, an activity as simple as laundry becomes a performative and narrative action set in a remote structure where bodies emerge in all their strength. The film takes its inspiration from Nam Jeongho&#8217;s contemporary dance performance <em>Pallae<\/em>, first presented in 1993.&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=4utzWXGCqLw\" data-rel=\"lightbox-video-4\">Watch the trailer<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Kotoji ensemble<br>Taiko performance<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-scaled.jpg\" data-rel=\"lightbox-image-24\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-1024x683.jpg\" alt=\"\" class=\"wp-image-15237\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-1-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Ensemble Kotoji, taiko performance. Ph. Alessandro Baldeschi<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more about the performance<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>During the opening day, Video Sound Art hosted a taiko performance by the Kotoji ensemble. The protagonists of the musical intervention are the traditional Japanese drums that, throughout history, have conveyed multiple meanings. From being an instrument of communication, to serving as an incitement in battle, their use during ceremonies of various kinds &#8211; religious, earth fertility rites, social festivals &#8211; makes them objects of strong symbolic power.<br>Founded in 2007 by Takeshi Demise, a student of Koji Nakamura, the Kotoji ensemble is made up of almost 20 percussionists united by their passion for the Japanese drum and the search for an authentic sound, as the group\u2019s name suggests, \u2018the way of the taiko sound\u2019.<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Silvia Giordano<br><em>How can you float without sinking?<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-scaled.jpg\" data-rel=\"lightbox-image-25\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-1024x683.jpg\" alt=\"\" class=\"wp-image-15228\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Silvia Giordano, <em>How can you float without sinking?<\/em>, site-specific performance, 2022. Ph. Francesca Ferrari<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong><strong>Read more about the performance<\/strong><\/strong><\/summary><div class=\"gb-accordion-text\">\n<p><em>How can you float without sinking?<\/em> is a site-specific performance, a score for three female bodies, which established a dialogue with the video work <em>Con te<\/em> by Letizia Cariello (LETIA).<\/p>\n\n\n\n<p><em>The object of my practice is to create emotional landscapes that influence the bodies and voices of the dancers, leading them to act in metaphorical realities that condition their quality of movement. In this case, I worked on the immersion of the bodies in dialogue with Letizia Cariello <em>(LETIA)<\/em>&#8216;s installation work, inviting the dancers to establish a connection with specific sections of the unfolding landscape, a process that starts from the emotional experience to connect perception and individual weaving. I have considered the space as a place of immersion that alters references, reconstructing an imaginary ocean in which the femininity of the bodies crosses it, with the help of sound scores and vocalisations that provoke a dimension of epidermal listening between the performers, between them and the elsewhere in which they find themselves, and between the audience and the elsewhere into which it is called to enter.<\/em><br>Silvia Giordano<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-scaled.jpg\" data-rel=\"lightbox-image-26\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15228\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-scaled.jpg\" alt=\"\" class=\"wp-image-15228\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Francesca-Ferrari-14-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-scaled.jpg\" data-rel=\"lightbox-image-27\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15446\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-scaled.jpg\" alt=\"\" class=\"wp-image-15446\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-42-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-scaled.jpg\" data-rel=\"lightbox-image-28\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" data-id=\"15562\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-scaled.jpg\" alt=\"\" class=\"wp-image-15562\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-scaled.jpg 2560w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Alessandro-Baldeschi-15-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/figure>\n<figcaption class=\"blocks-gallery-caption\">Silvia Giordano, <em>How can you float without sinking?<\/em>, performance site-specific, 2022. Ph. 1 Francesca Ferrari; Ph. 2-3 Alessandro Baldeschi<\/figcaption><\/figure>\n<\/div><\/details><\/div>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Antonio Perticara, winner of the Open Call<br><em>Drilling Down<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-scaled.jpg\" data-rel=\"lightbox-image-29\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-1024x768.jpg\" alt=\"\" class=\"wp-image-15234\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-1024x768.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-300x225.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-768x576.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-1536x1152.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/10\/Cesar-Marenghi-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>Antonio Perticara, <em>Drilling Down<\/em>, lecture-performance, 2022. Ph. Cesar Marenghi<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Read more about the performance<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p>Starting from the observation of a familiar tool such as the drill, the <em>Drilling down <\/em>lecture-performance focuses on its application outside the ordinary context.<br>The artist proposes a reinterpretation of the ancient surgical practice of drilling, which is still half-known and characterised by a perturbing underlying ambiguity.<br>Devoted to the conspiracy studies and conspiracy fantasies that have interested the debate in recent decades, the project connects a multitude of case studies: from the Neolithic age to 90&#8217;s electronic music, passing through the self-styled medieval practices of curing madness, up to today&#8217;s requests for drilling in online forums, cartoons, brainbloodvolume theory and much more.<\/p>\n<\/div><\/details><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-right\">XII edition<br><strong><em>The life of things<br>and\u202fthe invisible qualities of objects<\/em><\/strong><br>22 \u2013 28 September 2022<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong><a href=\"https:\/\/videosoundart.com\/en\/the-life-of-things-and-the-invisible-qualities-of-objects\/\">Concept<\/a><\/strong><br><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/11\/Foglio-di-sala-ENG.pdf\" data-type=\"URL\" data-id=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/11\/Foglio-di-sala-ENG.pdf\"><strong>Exhibition guide<br><\/strong><\/a><strong><a href=\"https:\/\/videosoundart.com\/en\/open-call-2022\/\">Open Call<\/a><br><a href=\"https:\/\/videosoundart.com\/en\/percorsi-di-co-progettazione-2022\/\">Education<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Venue:<br><\/strong>Teatro Carcano<br>Corso di Porta Romana, 63, <br>MM3 Crocetta, Milan<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>With the contribution of:<br><\/strong>Fondazione Cariplo<br>Chiesa Valdese<br>Mondriaan Fund<br>Netherlands embassy<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>With the patronage of:<\/strong><br>Comune di Milano &#8211; Milano \u00e8 Viva<br>Consulate General of Japan in Milan<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Open Call in collaboration with:<br><\/strong>Associazione Amici di Duccio<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Curated by Video Sound Art<\/strong><br>Artistic direction and curator<br><em>Laura Lamonea<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Screening Program Coordinator&nbsp;<br><em>Bianca Ambrosio&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Open Call Coordinator&nbsp;<br><em>Francesca Colasante<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Education<br><em>Thomas Ba, Gaia Lazzerini,<\/em> <em>Agnese dell\u2019Omo<br><br><\/em>Production<br><em>Lino Palena, Anita Wilczega, <\/em><br><em>Carlo Di Florio, <em>Ileana Rutigliano<\/em><\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Press office and communication<br><em>Francesca Mainardi, Sofia Gemelli<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Communication consultant<br><em>Valentina Letizia<\/em><br><br>Visual identity<br><em>Ilaria Roglieri<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Technical department<br><em>Dario Leone and Cesare Rossi&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Administration<br><em>Giovanni Licari<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>&nbsp;<\/em><a href=\"https:\/\/videosoundart.com\/en\/press\/\"><strong>Press release<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The life of things&nbsp; and\u202fthe invisible qualities of objects&nbsp; After the Museo Civico di Storia Naturale and the Planetario Hoepli, Video Sound Art, a contemporary art festival since 2011, presented its twelfth edition with a programme of installations, videos, performance interventions and a screening programme at the Teatro Carcano. The historic theatre, from the basement &hellip; <a href=\"https:\/\/videosoundart.com\/en\/xii-edizione\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14746","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>XII edition - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/xii-edizione\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XII edition - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"The life of things&nbsp; and\u202fthe invisible qualities of objects&nbsp; After the Museo Civico di Storia Naturale and the Planetario Hoepli, Video Sound Art, a contemporary art festival since 2011, presented its twelfth edition with a programme of installations, videos, performance interventions and a screening programme at the Teatro Carcano. 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