{"id":14483,"date":"2022-06-10T00:08:11","date_gmt":"2022-06-09T22:08:11","guid":{"rendered":"https:\/\/videosoundart.com\/open-call-2022\/"},"modified":"2022-11-03T17:21:41","modified_gmt":"2022-11-03T16:21:41","slug":"open-call-2022","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/open-call-2022\/","title":{"rendered":"Open Call 2022"},"content":{"rendered":"\n
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The invisible qualities of objects<\/em><\/em><\/em><\/h4>\n\n\n\n
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On the occasion of the 12th edition of the Festival, Video Sound Art launched a new open call for artists and performers. Starting from the research conducted by the festival’s curatorial department on the invisible qualities of matter and the functions that objects around us assume in relation to history, identity and social relations, the open call was coordinated by Francesca Colasante, art historian and curator. The jury, composed of leading figures from the art world and the performing arts scene – academics, critics, curators and artists – decided on the winner of the new performance work.<\/p>\n\n\n\n

Performance is the change of form, the time for reciprocity, the space for negotiation.
How do things work when they no longer occupy a position? When they cannot be touched, felt and are boundless? What do objects do when they are not used, when they do not interact with people? How do the invisible relationships of matter manifest themselves?
<\/em>Francesca Colasante<\/strong>, president of the jury.<\/p>\n\n\n\n

Read the full text >><\/strong><\/a><\/p>\n\n\n\n

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Winner<\/h4>\n\n\n\n

Antonio Perticara<\/strong>, lecture-performance Drilling down<\/em><\/p>\n\n\n\n

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Antonio Perticara, Drilling Down<\/em>, lecture-performance, 2022. Ph. Cesar Marenghi<\/figcaption><\/figure>\n\n\n\n
Discover the winning project<\/strong><\/summary>
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Starting from the observation of a familiar tool such as the drill, the Drilling down <\/em>lecture-performance focuses on its application outside the ordinary context.
The artist proposes a reinterpretation of the ancient surgical practice of drilling, which is still half-known and characterised by a perturbing underlying ambiguity. Devoted to the conspiracy studies and conspiracy fantasies that have interested the debate in recent decades, the project connects a multitude of case studies: from the Neolithic age to 90\u2019s electronic music, passing through the self-styled medieval practices of curing madness, up to today\u2019s requests for drilling in online forums, cartoons, brainbloodvolume theory and much more.<\/p>\n\n\n\n


The lecture-performance Drilling down by Antonio Perticara rereads the history of an ordinary object from the Neolithic to the present day, highlighting how its practice of use in relation to the body is instrumental to an ideological vision, determining the perception of identities and shared values of certain social groups.<\/em>
The jury wishes to reward an original, personal and developing project and to support its performative potential. <\/em>
Francesca Colasante,  president of the jury<\/p>\n\n\n\n

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Ph. 1: Drilling drill, Ph. v. D\u00f6blen, Livrustkammaren, LRK 1040
Ph 2 e 3: Content of the research conducted by the artist<\/p>\n<\/div><\/details><\/div>\n\n\n\n

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Residency period and contribution<\/h4>\n\n\n\n

The artistic residency was held at Villa Santa Giulia in Piombino (LI), in collaboration with the Amici di Duccio Association.
Formed as an association in 2018, the historical group of Duccio’s friends is committed to supporting medical-scientific research in the field of leukaemia treatment in children and adolescents, promoting the creative activity of young artists and intellectuals, engaged in modern and contemporary arts and culture.<\/p>\n\n\n\n

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Villa Santa Giulia, venue of the artistic residency<\/figcaption><\/figure>\n\n\n\n
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Jury<\/h4>\n\n\n\n
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Francesca Colasante
<\/strong>Art historian and curator, jury president<\/em>

Jacopo Miliani
<\/strong>Artist and lecturer in performance practices at the Accademia Ligustica in Genoa and the Accademia di Belle Arti in Verona<\/em>

Piersandra di Matteo
<\/strong>Researcher, dramaturg and curator in the field of performing arts, artistic director of Short Theatre, Rome<\/em><\/p>\n\n\n\n

Annalisa Sacchi
<\/strong>Regular Professor of Theatre Aesthetics and Director of the Degree Course in Theatre and Performing Arts at Iuav, Venice<\/em><\/p>\n\n\n\n

Video Sound Art<\/strong>
Laura Lamonea – artistic direction, Lino Palena, production direction<\/em><\/p>\n<\/div>\n\n\n\n

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Open Call 2022<\/strong>
The invisible qualities of objects<\/em><\/em><\/em><\/p>\n\n\n\n

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Thanks to:<\/strong>
Teatro Carcano in Milan
Associazione Amici di Duccio
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Discover the XII edition<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The invisible qualities of objects On the occasion of the 12th edition of the Festival, Video Sound Art launched a new open call for artists and performers. Starting from the research conducted by the festival’s curatorial department on the invisible qualities of matter and the functions that objects around us assume in relation to history, … Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14483","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nOpen Call 2022 - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/open-call-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Open Call 2022 - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"The invisible qualities of objects On the occasion of the 12th edition of the Festival, Video Sound Art launched a new open call for artists and performers. 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