{"id":12846,"date":"2021-10-12T13:01:47","date_gmt":"2021-10-12T11:01:47","guid":{"rendered":"https:\/\/videosoundart.com\/?page_id=12846"},"modified":"2023-06-07T01:27:14","modified_gmt":"2023-06-06T23:27:14","slug":"gestus","status":"publish","type":"page","link":"https:\/\/videosoundart.com\/en\/gestus\/","title":{"rendered":"Gestus"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>Gestus<\/em>, conceived by Video Sound Art, was the first exhibition project hosted in the space of the Teatrino of Palazzo Grassi, in Venice. The exhibition is divided into two acts and is inspired by the reflections on the body by the great theatre masters of the 20th century (Artaud, Copeau, Decroux, Mejerchol&#8217;d). It investigates physical language as an activator of a transformative, spiritual and social dynamic. The whole project is conceived as a constantly evolving body reified by two pairs of performers and a chorus of performers.<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Guida_Gestus.pdf\" style=\"border-radius:0px\">Exhibition guide<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/videosoundart.com\/en\/curatorial-text\/\" style=\"border-radius:0px\">Curatorial text<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/videosoundart.com\/en\/gestus-footnotes-en\/\" style=\"border-radius:0px\">Footnotes &#8211; editorial insights<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gestus, 2021, Teatrino di Palazzo Grassi\" src=\"https:\/\/player.vimeo.com\/video\/681568922?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Act I: <em>Refashioning the Body<\/em><\/strong><br\/>15 October &#8211; 24 November 2021<\/summary><div class=\"gb-accordion-text\">\n<p>Works by: Enrique Ramirez and Luca Trevisani<br>Performances by: Enrique Ramirez, Andrea di Lorenzo and Caterina Gobbi<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128460\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Enrique Ramirez<\/strong><\/button><div id=\"ac-128460\" class=\"c-accordion__content\">\n<p>Works:<br><em><strong><em>L\u2019homme sans image<\/em><\/strong><\/em><br><em><strong><em>El lamento del velero invertido<\/em><\/strong><\/em><br>Performance:<br><em><strong>El lamento del p\u00e1jaro y el bote invertido<\/strong><\/em><\/p>\n\n\n\n<p>In the video work <em>L\u2019homme sans image<\/em> (The Imageless Man), the protagonist dances in the abyss, shrouded in a sail. The body adheres to the folds of the sea, seemingly becoming part of it, moving with the aquatic fluidity of seaweed, as if in the maternal womb. An unusual instrument, the ocaina, composes the sculptural work <em>El lamento del velero invertido<\/em>, which uses the same fluidity to produce high-pitched sounds through the movement of liquids. The whistles of this mysterious object linked to Andean culture rhythmically scan the time of the exhibition and the evolution of the body within it. Lastly, the artist presented the sound performance <em>El lamento del p\u00e1jaro y el bote invertido<\/em>, which combines the melody of the whistling bottle with sound recordings of the city of Venice that he himself collected &#8211; footsteps, water, sounds of boats. A dramatic construction that invites the audience to become aware of the noise we create in the place where we live.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"601\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-1024x601.jpg\" alt=\"\" class=\"wp-image-13135\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-1024x601.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-920x540.jpg 920w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-768x451.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-1536x902.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-2048x1202.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0327-300x176.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Enrique Ramirez, Performance. Gestus I act: <em>Refashioning the Body, at<\/em> Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-1024x538.jpg\" alt=\"\" class=\"wp-image-13234\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-1024x538.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-300x158.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-768x404.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-1536x807.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0163-2048x1076.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Enrique Ramirez, <em>L&#8217;homme sans image<\/em>, 2020, Courtesy of the artist and Michel Rein Gallery, Paris\/Brussels. Installation view, Gestus Act I: Re-Making the Body, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<p><em><strong><br><\/strong><\/em><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Enrique Ramirez, Gestus, Teatrino di Palazzo Grassi\" src=\"https:\/\/player.vimeo.com\/video\/643509649?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128461\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Luca Trevisani<\/strong><\/button><div id=\"ac-128461\" class=\"c-accordion__content\">\n<p>Works:<br><em><strong><em>Daniel Day Lewis<\/em><\/strong><\/em><br><strong><em>L 38\u00b0 11\u2019 13.32\u2019 N 13\u00b0 21\u2019 4.44\u2019 E<br>(Don\u2019t )Try This at Home<\/em><\/strong><\/p>\n\n\n\n<p><em>Daniel Day Lewis<\/em> is a series of sculptures started in 2021 after three years of careful study and experiments. All the pieces are based on the shape of running shoes, with living creatures and natural elements (such as octopuses, shells and starfish) layered onto them, showing how the traces of the roads they have travelled have fused with the shoes themselves, as if those feet had collected the shapes of the sea over their long walks through the ocean. <br>The same stratifications and decompositions can be seen in <em>(Don&#8217;t) Try This at Home<\/em>, vegetable fibres are transformed into bio-plastics with organic shapes, and in <em>L 38\u00b0 11&#8242; 13.32&#8242; N 13\u00b0 21&#8242; 4.44&#8242; E<\/em>, a video work realised in the Sicilian Addaura caves, a symbol of the symbiotic relationship between man and nature.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-1024x683.jpg\" alt=\"\" class=\"wp-image-13164\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0062-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Luca Trevisani, <em>Daniel Day Lewis<\/em>, 2021, Courtesy of the artist, Galerie Mehdi Chouakri, Berlin and Pinksummer contemporary art, Genoa. Installation view, Gestus I atto: Rifare il corpo, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-1024x648.jpg\" alt=\"\" class=\"wp-image-13183\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-1024x648.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-300x190.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-768x486.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-1536x973.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0023-2048x1297.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Luca Trevisani, <em>Daniel Day Lewis<\/em>, 2021, Courtesy of the artist, Galerie Mehdi Chouakri, Berlin and Pinksummer contemporary art, Genoa. Installation view, Gestus I atto: Rifare il corpo, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grass<\/figcaption><\/figure>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128462\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Andrea Di Lorenzo<\/strong><\/button><div id=\"ac-128462\" class=\"c-accordion__content\">\n<p>Performance:<br><em><strong>Foglie di fico<\/strong><\/em><\/p>\n\n\n\n<p>Andrea Di Lorenzo presented a static performance with sculptural qualities. The artist placed himself within a bush of fig leaves &#8211; made entirely of concrete and iron &#8211; and remained emotionless for several hours. All that is visible of his body was a section of his legs, making it difficult for the observer to discern whether there was a person or simply a mannequin inside. Through an arduous process of stopping all movement, the human body melds into the plant body, with apparently opposing rhythms approaching one another until they fall into sync. Andrea Di Lorenzo left a trace of the performance in the Theatre until the end of the first act.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"641\" height=\"1024\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-641x1024.jpg\" alt=\"\" class=\"wp-image-13176\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-641x1024.jpg 641w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-188x300.jpg 188w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-768x1226.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-962x1536.jpg 962w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-1283x2048.jpg 1283w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0040-scaled.jpg 1603w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><figcaption class=\"wp-element-caption\">Andrea Di Lorenzo, <em>Foglie di Fico<\/em>, 2021.Courtesy of the artist and Video Sound Art Festival. Gestus I atto: Rifare il corpo, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"1024\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-648x1024.jpg\" alt=\"\" class=\"wp-image-13249\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-648x1024.jpg 648w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-190x300.jpg 190w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-768x1213.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-972x1536.jpg 972w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-1297x2048.jpg 1297w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1-scaled.jpg 1621w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128463\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Caterina Gobbi<\/strong><\/button><div id=\"ac-128463\" class=\"c-accordion__content\">\n<p>Performance:<br><em><strong><em><em>Had there been anyone to listen<\/em><\/em><\/strong><\/em><\/p>\n\n\n\n<p>Deep, deep underground, beyond the range of any human ear, subterranean and surface movements create majestic melodies. With the use of special microphones, Caterina Gobbi has sampled these vibrations in the areas of Mont Blanc. A collection of hypogeal voices which the artist presented with an unprecedented sound-based performance, sparking reflections on perceptions of and relationships between man, machine and nature. During the performance, the artist moved around wearing a copper structure with loudspeakers attached to it. As she walks, Gobbi played the sounds sampled high in the mountains, using the structure as if it were an extension of her body.<br>Caterina Gobbi left a trace of the performance in the Theatre until the end of the first act.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-1024x685.jpg\" alt=\"\" class=\"wp-image-13143\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-1024x685.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-300x201.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-768x514.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-1536x1028.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-2048x1371.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0513-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Caterina Gobbi, <em>Had there been anyone to listen<\/em>, 2021, Courtesy of the artist and Video Sound Art Festival. Gestus I atto: Rifare il corpo, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"851\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-1024x851.jpg\" alt=\"\" class=\"wp-image-13148\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-1024x851.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-300x249.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-768x638.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-1536x1276.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0526-2048x1701.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Caterina Gobbi, <em>Had there been anyone to listen<\/em>, 2021, Courtesy of the artist and Video Sound Art Festival.  Gestus I atto: Rifare il corpo, at Teatrino of Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"1024\" data-id=\"13122\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-659x1024.jpg\" alt=\"\" class=\"wp-image-13122\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-659x1024.jpg 659w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-193x300.jpg 193w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-768x1193.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-989x1536.jpg 989w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-1319x2048.jpg 1319w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_7-scaled.jpg 1649w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"666\" height=\"1024\" data-id=\"13116\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-666x1024.jpg\" alt=\"\" class=\"wp-image-13116\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-666x1024.jpg 666w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-195x300.jpg 195w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-768x1181.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-999x1536.jpg 999w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-1332x2048.jpg 1332w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_4-scaled.jpg 1665w\" sizes=\"auto, (max-width: 666px) 100vw, 666px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"1024\" data-id=\"13118\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-698x1024.jpg\" alt=\"\" class=\"wp-image-13118\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-698x1024.jpg 698w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-205x300.jpg 205w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-768x1126.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-1048x1536.jpg 1048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-1397x2048.jpg 1397w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_5-scaled.jpg 1746w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" data-id=\"13112\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-734x1024.jpg\" alt=\"\" class=\"wp-image-13112\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-734x1024.jpg 734w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-215x300.jpg 215w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-768x1072.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-1101x1536.jpg 1101w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-1468x2048.jpg 1468w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Gestus_2-scaled.jpg 1835w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"1024\" data-id=\"13138\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-648x1024.jpg\" alt=\"\" class=\"wp-image-13138\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-648x1024.jpg 648w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-190x300.jpg 190w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-768x1213.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-972x1536.jpg 972w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-1297x2048.jpg 1297w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0191-scaled.jpg 1621w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"740\" data-id=\"13140\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-1024x740.jpg\" alt=\"\" class=\"wp-image-13140\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-1024x740.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-300x217.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-768x555.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-1536x1110.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/DSC0436-2048x1480.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Gestus I atto: Rifare il corpo, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Act II: <em>The Assembly of Actions<\/em><\/strong><br\/>1 December 2021 &#8211; 15 January 2022<\/summary><div class=\"gb-accordion-text\">\n<p>Works by: Ludovica Carbotta and Driant Zeneli<br>Performances by: Ludovica Carbotta, Annamaria Ajmone and Driant Zeneli<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128464\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Ludovica Carbotta<\/strong><\/button><div id=\"ac-128464\" class=\"c-accordion__content\">\n<p>Work:<br><em><strong><em><em>Monowe (Tribunale)<\/em><\/em><\/strong><\/em><\/p>\n\n\n\n<p>Ludovica Carbotta presented her series <em>Monowe Il tribunale<\/em> in a fragmented form. The paradox of a legal body belonging to a city composed of a single inhabitant leads the audience to question the difference between justice and the act of saving the self. In a world where individualism prevails over the individual, how could a court function?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"718\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-1024x718.jpg\" alt=\"\" class=\"wp-image-13796\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-1024x718.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-300x210.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-768x539.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-1536x1077.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_4-2048x1436.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ludovica Carbotta, <em>Monowe (Tribunale)<\/em>, Courtesy by artist. Installation view, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"632\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-1024x632.jpg\" alt=\"\" class=\"wp-image-13798\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-1024x632.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-300x185.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-768x474.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-1536x948.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_3-2048x1264.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ludovica Carbotta, <em>Monowe (Tribunale)<\/em>, Courtesy by artist. Installation view, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128465\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Driant Zeneli<\/strong><\/button><div id=\"ac-128465\" class=\"c-accordion__content\">\n<p>Work:<br><strong><em>No wise Fish would escape without flying<\/em><\/strong><br><em><strong>How deep can <em>a Dragonfly<\/em> swim under the Ocean?<\/strong><\/em><\/p>\n\n\n\n<p>Driant Zeneli uses the language of utopia to expand the limits of the body. Brechtianly, utopian fiction does not try to appear realistic, rather through the estrangement it produces it helps the viewer question ordinary logic. In this way Zeneli, in<em> The Animals: Once Upon A Time\u2026 In the Present Time<\/em> trilogy, makes a goldfish and a shark chase each other inside the brutalist architecture of the National Library of Kosovo (<em>No Wise Fish Would Escape Without Flying<\/em>); or he tells the fantastic but real story of a person wrongly imprisoned for twenty years who nevertheless manages to cultivate his dream of flying through the creation of small robotic dragonflies (<em>How Deep Can a Dragonfly Swim Under the Ocean?<\/em>).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"509\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-1024x509.jpg\" alt=\"\" class=\"wp-image-13811\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-1024x509.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-300x149.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-768x382.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-1536x764.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0443-HDR-2048x1018.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Driant Zeneli, <em><em>No Wise Fish Would Escape Without flying<\/em><\/em>, Courtesy of artist. Installation view, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Driant Zeneli, Gestus, Teatrino di Palazzo Grassi\" src=\"https:\/\/player.vimeo.com\/video\/672158913?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128466\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Perfomance by Ludovica Carbotta with Benedetta Barzini<\/strong><\/button><div id=\"ac-128466\" class=\"c-accordion__content\">\n<p><em><strong>About a Citizen Beyond All Suspicion<\/strong><\/em><\/p>\n\n\n\n<p>In the performance <em>About a Citizen Beyond All Suspicion<\/em> Benedetta Barzini played the hypothetical citizen taking on the roles of defendant, defence, prosecution and jury simultaneously. Perceiving himself in the third person, he becomes a stranger to his own actions, like Brecht&#8217;s actor who has to &#8220;keep his distance.&#8221; In this image, the body of the second part of the exhibition is realised: it mutates both physically and mentally to the point of becoming other than its individuality.<\/p>\n\n\n\n<p><strong>Performance:<br><\/strong>Wednesday 1st December, h 19.00<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"580\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-1024x580.jpg\" alt=\"\" class=\"wp-image-13821\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-1024x580.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-300x170.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-768x435.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-1536x870.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0207-2048x1160.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ludovica Carbotta con Benedetta Barzini, <em><em>Su un cittadino al di sopra di ogni sospetto<\/em><\/em>. Performance, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2-1024x576.jpeg\" alt=\"\" class=\"wp-image-13977\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2-1024x576.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2-300x169.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2-768x432.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2-1536x864.jpeg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2022-01-05-at-11.42.35-2.jpeg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ludovica Carbotta con Benedetta Barzini, <em><em>Su un cittadino al di sopra di ogni sospetto<\/em><\/em>. Performance, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128467\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Performance by Annamaria Ajmone<\/strong><\/button><div id=\"ac-128467\" class=\"c-accordion__content\">\n<p><em><strong><em><em>Untitled<\/em><\/em><\/strong><\/em><\/p>\n\n\n\n<p><em>Senza titolo (Untitled)<\/em> is a performance consisting of three acts that takes place at three different points over the course of the day, each lasting thirty minutes. The space created by and for the dance uses effective and immediate encounters between the active elements, the works of other artists that adorn and animate the foyer of the Teatrino of Palazzo Grassi, and the movement and position of the audience. The costumes worn, created by Fabio Quaranta for the performance, are part of the web of stimuli and suggestions that influence the actions. There are no written instructions to follow, no tasks or guidelines set out in advance. The composition is constructed in the very moment when it is acted out. The audience is encouraged to move around, get distracted, get bored, or even do something else entirely.<\/p>\n\n\n\n<p><em>Place or space? Every step arrives at a place.<br>If you care where you are then we will care also.<\/em><br>J. Burrows. <em>A Choreographer\u2019s Handbook<\/em><\/p>\n\n\n\n<p><em>Senza titolo (Untitled)<\/em> is a performance developed as part<br>of the show Gestus II Atto: Il montaggio delle azioni (Gestus Act II: <em>The Assembly of Actions)<\/em>, curated by Video Sound Art<\/p>\n\n\n\n<p><strong>Performance:<br><\/strong>Saturday 4th december, h 12, h 16.30, h 18<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"665\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-1024x665.jpg\" alt=\"\" class=\"wp-image-13825\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-1024x665.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-300x195.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-768x499.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-1536x997.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0790-2048x1330.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Annamaria Ajmone, <em><em>Senza titolo<\/em><\/em>. Performance, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-1024x750.jpg\" alt=\"\" class=\"wp-image-13827\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-1024x750.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-300x220.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-768x562.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-1536x1125.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/DSC0699-2048x1500.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Annamaria Ajmone, <em><em>Senza titolo<\/em><\/em>. Performance, Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-128468\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Performance by Driant Zeneli<\/strong><\/button><div id=\"ac-128468\" class=\"c-accordion__content\">\n<p><strong><em>In an attempt to get up<\/em><\/strong><\/p>\n\n\n\n<p>Music by Giorgio Distante<\/p>\n\n\n\n<p>Original performance<br>In this performance, the artist collaborates with a group of children who are not merely performers, but in fact active parts of the creative act. Through their plastic bodies,<br>the flight of the dragonfly &#8211; one of the few animals capable of flying in all directions &#8211; becomes a way of exploring space, of using a new gaze to completely upend power dynamics and historical memory. The utopia takes shape thanks to an imagination free of the constraints of the adult world. This new reality is presented as a game in which the children attempt to raise themselves off the ground, whilst their movements are marked by the rhythmic notes of a trumpet. Actions, sounds and lights come together to create new perspectives.<br>_______________________________<br><br>A continuous and tireless attempt to stand up. The worsening of the health emergency made it impossible for the children to participate in the physical exploration and play that would have led to the performance on the&nbsp;15th of&nbsp;January.&nbsp;Starting from the title of the project,&nbsp;In&nbsp;an attempt to get up, Driant Zeneli chooses to propose a new performative act. In the presence of the public, the artist ironically redefines the concepts of failure and utopia, focusing on the characters of the video work on show, the dragonfly and the octopus that keep it imprisoned in the depths of the ocean. An act of collective reflection and participation during which actions,&nbsp;sounds&nbsp;and voices mix to cross limits and evoke unexplored possibilities. The rhythm of the performance will be set by the trumpet-robot of the musician Giorgio Distante, who created the film&#8217;s soundtrack.<\/p>\n\n\n\n<p><strong>Performance:<br><\/strong>Saturday 15th january, from 16.00 to 19.00<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"627\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-1024x627.jpg\" alt=\"\" class=\"wp-image-14080\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-1024x627.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-300x184.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-768x470.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-1536x941.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/03\/DSC0169-2048x1254.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Driant Zeneli, Performance In an attempt to get up, Gestus Act II: The assembly of actions, at Teatrino di Palazzo Grassi, 2021. Ph. Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"706\" data-id=\"13965\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-1024x706.jpg\" alt=\"\" class=\"wp-image-13965\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-1024x706.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-300x207.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-768x529.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-1536x1059.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/DSC0745-2048x1411.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"13971\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-1024x683.jpg\" alt=\"\" class=\"wp-image-13971\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-1024x683.jpg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-300x200.jpg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-768x512.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-1536x1024.jpg 1536w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-2048x1365.jpg 2048w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/Gestus_II_7-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1014\" data-id=\"13973\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h-1024x1014.jpeg\" alt=\"\" class=\"wp-image-13973\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h-1024x1014.jpeg 1024w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h-300x297.jpeg 300w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h-150x150.jpeg 150w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h-768x761.jpeg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2022\/01\/WhatsApp-Image-2021-12-24-at-12.21.47h.jpeg 1151w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"1024\" data-id=\"13874\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-773x1024.jpg\" alt=\"\" class=\"wp-image-13874\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-773x1024.jpg 773w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-226x300.jpg 226w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-768x1018.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-1159x1536.jpg 1159w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-1546x2048.jpg 1546w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/Gestus_II_2-scaled.jpg 1932w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"13918\" src=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/8f9e72f4-7ccd-4142-a6af-8c4dd0c32de4-2-768x1024.jpg\" alt=\"\" class=\"wp-image-13918\" srcset=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/8f9e72f4-7ccd-4142-a6af-8c4dd0c32de4-2-768x1024.jpg 768w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/8f9e72f4-7ccd-4142-a6af-8c4dd0c32de4-2-225x300.jpg 225w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/8f9e72f4-7ccd-4142-a6af-8c4dd0c32de4-2-1152x1536.jpg 1152w, https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/12\/8f9e72f4-7ccd-4142-a6af-8c4dd0c32de4-2.jpg 1512w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Act II: The Assembly of Actions, at Teatrino di Palazzo Grassi, 2021. Ph. 1, 3, 4, Matteo De Fina \u00a9 Palazzo Grassi<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-right\"><strong>Gestus<\/strong><br>15 October 2021<br>15 January 2022<\/p>\n\n\n\n<p class=\"has-text-align-right\">Laura Lamonea<br><em>Chief curator<\/em><br>Thomas Ba<br><em>Junior Curator<\/em><br><br><strong><a href=\"https:\/\/videosoundart.com\/wp-content\/uploads\/2021\/10\/Guida_Gestus.pdf\">Exhibition guide<\/a><\/strong><br><a href=\"https:\/\/videosoundart.com\/en\/curatorial-text\/\"><strong>Curatorial text<\/strong><\/a><br><strong><a href=\"https:\/\/videosoundart.com\/en\/gestus-footnotes-en\/\">Footnotes &#8211; editorial insights<\/a><\/strong><br><br><strong>Venue:<br><\/strong>Teatrino di Palazzo Grassi<br>Venezia<br><br><strong>In collaboration with:<\/strong><br>Palazzo Grassi \u2013 Punta della Dogana<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>With the contribution of:<br><\/strong>Acci\u00f2n Cultural Espa\u00f1ola<br><\/p>\n\n\n\n<p class=\"has-text-align-right\"><a href=\"https:\/\/videosoundart.com\/en\/press\/\"><strong>Press release<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gestus, conceived by Video Sound Art, was the first exhibition project hosted in the space of the Teatrino of Palazzo Grassi, in Venice. The exhibition is divided into two acts and is inspired by the reflections on the body by the great theatre masters of the 20th century (Artaud, Copeau, Decroux, Mejerchol&#8217;d). It investigates physical &hellip; <a href=\"https:\/\/videosoundart.com\/en\/gestus\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-12846","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gestus - Video Sound Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/videosoundart.com\/en\/gestus\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gestus - Video Sound Art\" \/>\n<meta property=\"og:description\" content=\"Gestus, conceived by Video Sound Art, was the first exhibition project hosted in the space of the Teatrino of Palazzo Grassi, in Venice. 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