1.0Video Sound Arthttps://videosoundart.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="CW4Nobq5Fu"><a href="https://videosoundart.com/en/open-call-2017-2/">Open call 2017</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://videosoundart.com/en/open-call-2017-2/embed/#?secret=CW4Nobq5Fu" width="600" height="338" title="“Open call 2017” — Video Sound Art" data-secret="CW4Nobq5Fu" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://videosoundart.com/wp-content/uploads/2018/02/Bibi-Yamamoto-.jpg40672500LA GRANDE OCCASIONE is the title of this special edition curated by Laura Lamonea, an explicit quotation from the 1973 film of the same name made by the Italian artist Ugo La Pietra as a critique of the relationship between artist and institutions: today, as in the 1970s, for an artist to maintain his or … Continued